Full Frame VS APS-C Cameras: Which One Should I Get For Traveling? - Why APS-C Cameras Might Be A Better Choice For You

Full Frame VS APS-C Cameras: Which One Should I Get For Traveling?

Why APS-C Cameras Might Be A Better Choice For You
A photo of Pete R.
By Pete R.,
Updated on

Should I buy a full frame or an APS-C camera? Ahh, the ultimate question every photographer asks themselves every now and then. No matter where you look on the Internet, you will find lively debates over which format to choose, but more often than not, the discussion turns into us versus them and often results in more questions than answers.

I can't speak for other travel photographers, but as a solo traveler who is also a hybrid shooter (I shoot photos and videos), loves hiking, and enjoys going on long backpacking trips to remote places, I have decided to write this article to explain why I have chosen to stick with the Sony APS-C cameras all these years and why I will continue to do so for many years to come.

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Differences Between APS-C and Full Frame Cameras

Full frame cameras and cropped cameras all on one table

First, in order to pick which format to choose, you will have to understand the difference between APS-C and Full Frame Sensors, and to understand that, we will have to go back in time, even before the birth of digital photography.

What is a Full Frame Sensor?

Back in the day, the 35mm-sized film (36 x 24mm) was the dominant standard of photography before the digital cameras came along. When the digital cameras took over, the term "full-frame" became a reference to the digital sensor size that matches the size of a single negative on a 35mm roll of film, hence the name "Full-Frame".

What is an APS-C Sensor?

APS-C, on the other hand, is a smaller or cropped version of its full-frame counterparts. APS or the Advanced Photo System image system was introduced back in the 90s, and it comes in varying sizes depending on the manufacturers. The "C" at the end determines the digital image format, so in this case, the "C" in APS-C stands for Classic format, which has a sensor size that measures 23.6 x 15.7mm.

A comparsion of sizes for Sony full frame and APS-C sensors

As you can see, the sensor size is the main difference between the two formats, and you can see exactly how this affects the photos with the image above. There are other factors to consider as well, such as low-light capabilities, image quality, dynamic range, etc.

Basically, with a larger sensor, the camera will be able to capture a larger field of view; hence, it can get more of the scene compared to shooting photos with an APS-C camera. Also, with the larger sensor, each individual pixel will be larger, allowing the camera to let in more light. This, in turn, improves low-light capability as well as image quality and dynamic range.

So is the Full Frame format better in every way? Yes and no. In terms of low-light capability, dynamic range, and image quality, yes. But in terms of cost, weight, and size, APS-C takes the cake with its more compact camera body, requiring less heavy glass in their lenses, and since there are fewer components, they are way cheaper than their full frame counterparts.

If you are a professional fashion photographer or a popular Youtuber (which they often recommend full frame) who has consistent streams of income and does not have to carry your entire camera gear on your back for hours on end, then the full frame, with its capabilities, is probably more suited for you. However, for the rest of us regular users, the cost and weight become major factors to consider.

With this in mind, from the perspective of a solo traveler, here are the main reasons why I decided to stick to my APS-C cameras instead of going full frame, as the rest of the internet seems to recommend.

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Full Frame VS APS-C: Why I Recommend APS-C Cameras Over Full Frame

1. Lighter-Load to Carry When Traveling

A person holding the Sony APS-C Camera in the air.

As a traveler, the weight and size of our camera gear is one of the most important factors in deciding whether to invest in APS-C or Full Frame. As I mentioned earlier, due to the smaller APS-C camera body, the lenses and accessories are also more compact than their full frame equivalents.

With an APS-C camera, I had no trouble hauling all my camera gear around while hiking in the Himalayas for 15 days. I was able to carry 5 lenses and a tripod without them affecting the load of my already heavy bag.

With a regular trip, I can fit all my camera gear inside my Herschel Supply Little America backpack with plenty of room to spare for other necessary travel gear, such as water bottles and jackets.

And since I was able to carry more gear with less weight, as an amateur travel hybrid shooter, I was able to be more creative with what I shoot and maximize the quality of my work with the options I have.

Sony APS-C E-Mount lenses lined up to the side in front of a bookshelf.

With the 5 lenses I often take with me, I can adapt to almost any situation thrown at me. I think this is extremely important for a travel photographer, as things often don't go according to our plans and you have to always be ready for whatever random moment you encounter while on the road.

2. APS-C Lenses Are More Compact and Less Expensive

Sony APS-C E-Mount lenses lined up vertically in front of a bookshelf.

Talking about lenses, since the APS-C sensor is smaller, the lenses built for APS-C cameras do not require as many heavy glasses and components as full-frame lenses, which allows the manufacturers to design much more compact-sized lenses with almost equivalent capabilities to the full-frame lenses.

Fewer components also come with a cheaper price tag, and that in itself is already enough of a reason to consider investing in APS-C instead of full frame, especially for regular users like us.

Sony 70-350mm f4.5-6.3 Best Lens for Wildlife (Telephoto) for Sony APS-C Camera

To give you an example, the newly released Sony G lens, the 70-350mm OSS super-telephoto lens built for APS-C cameras, is designed for wildlife and bird photographers. It measures at 77 x 142 mm (3.03 x 5.59"), weighs 625 g (1.38 lb), and is priced at 900 USD.

Since the APS-C sensor is cropped with a crop factor of 1.5 (you can multiply the APS-C focal length by 1.5 to get the full-frame equivalent), the 70-350mm focal length is equivalent to a 105-525mm lens on a full-frame camera.

A size comparison of Sony G lens, the 70 - 350 mm and Sony FE 100-400 mm lenses.

If you compare the size and weight of the full-frame lens with a focal length in the 100-500 range, such as the Sony FE 100-400 mm lens that measures 93.9 x 205 mm (3.7 x 8.07"), weighs 1,395 g (3.07 lb), and costs 2,500 USD, you start to see the difference in size, weight, and cost. Heck, you even get more range with the smaller, cheaper Sony 70-350 mm APS lens with a 525mm focal length.

To top it off, with cheaper and lighter lenses, you can also use the money you saved to invest in even more lenses and accessories for your travels, which I consider a much better value for my money than investing in the full-frame system where I might only be able to buy one lens for the amount of 3 APS-C lenses.

3. I Do Not Need the Full Frame Capabilities

A person taking photos of the Sony a6500 camera with the same camera.

One question I often asked myself when I was deciding between the 2 systems was, "Do I really need a full-frame camera?" After years of traveling with an APS-C camera, I can now answer this question with confidence: Nope, I do not need the full-frame capabilities, and here is why.

Like most of us, I do photography and filmmaking as a hobby, and my content is displayed mostly on a computer or a mobile screen. I have yet to print my photos out in photo books, and I do not plan on having my photos printed on large billboards anytime soon, so all those high-resolution capabilities of the full-frame camera are overkill for me.

And even if I want to print my photos out, the Sony a6500 APS-C camera with its 24.5-megapixel sensor is more than capable of producing enough detail for printed photos.

A sample shot from the Sigma 56mm F1.4 lens in low light of people walking along the road in Chinatown, Bangkok.

Sure, I wish my Sony a6500 were better in low-light like the Sony full-frame cameras, but I can simply invest in a faster aperture lens to compensate for its mediocre low-light capability. With the money I saved (around 600 USD) from choosing the APS-C camera body over the full frame, I could spend that money on better low-light lenses.

Samyang 12mm F2 manual lens for Sony APS-C Camera exterior.

There are plenty of cheap options when it comes to APS-C lenses for you to choose from, with a good range of focal lengths. The Sigma Trio, 16mm F1.4, 30mm F1.4, and 56mm F1.4, are a great example of fast prime lenses that cost only 1,000 USD for all 3 lenses, and that leads me to the next reason.

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4. Great Selection Of Lenses From Sony and Third-Parties

The Sigma 56mm F1.4 lens by a bookshelf

With the gaining popularity of APS-C cameras among regular users, Sony as well as third-party companies have started to develop more lenses for the ever-growing APS-C market, which has expanded the lens selection tremendously over the years.

The Sigma 56mm F1.4 on a bookshelf showing the how big the lens is.

Sigma, as I mentioned earlier, is starting to add more and more APS-C lenses to its lineup with high-quality glass at affordable prices. The Sigma Trio lenses are the best value lenses for the money and they cover most of the ranges regular users need. They are also considered to be one of the sharpest sets of lenses out there.

Sony has also been releasing professional-grade APS-C lenses in 2019 with the announcement of the Sony 16-55mm F2.8, which is one of the best all-around lenses you can buy, and the 70-350mm super-telephoto lens. With these two lenses, I won't need any other lenses anymore as they cover all the focal lengths a traveler like me will ever need, from wide landscapes to wildlife.

The Samyang 12mm F2 for Sony APS-C Camera

Rokinon (Samyang) as well as several other third-party manufacturers like Meike, Kamlan, and Venus Optics have been busy releasing their own sets of manual lenses for Sony APS-C cameras as well, with prices ranging from as low as 90 USD to 300 USD.

As you can see, there are plenty of great lenses at different price points available for the Sony APS-C cameras. With the commitment shown by Sony with their two new professional lenses released, I am now more convinced than ever that staying with the APS-C format is the right decision for me.

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5. A Thriving Second-hand Market

Sony 16-55mm F2.8 Lens second hand from the side with G Master logo.

I'm not gonna lie, I do not like spending a lot of money on things other than experiences. It physically pains me to spend 1,000 USD for a camera lens, and yet, ironically, I can spend that same amount on a flight to South America in the blink of an eye.

And so, when I discovered a thriving Sony second-hand market on Facebook here in Thailand, I was overjoyed by all the options I have for good APS-C lenses without having to sell my kidneys to buy them.

And if I were able to find an active Sony second-hand market in a country as small as Thailand, I am sure you would have no trouble finding even more active second-hand markets in places like Europe and the US.

With such an active second-hand market like this, I was able to swoop in and get a newly released lens for $400 less than the retail price. I recently bought a $1400 Sony 16-55mm F2.8 lens, which is the lens I highly recommend for all travelers, for less than $1000 used but in mint condition, and I cannot be happier with the purchase.

Most of the time, the second-hand market is for both full-frame and APS-C users. But what is great about staying with the APS-C camera is that you will often find people who are upgrading their gear to full-frame and are looking to sell all their APS-C gear for cheap. This is when you swoop in and grab all the cheap APS-C lenses for yourself, which I often do. The possibilities are endless!

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Which Sony APS-C Camera and Lens To Buy For Your Travel?

Sony a6400 + 18- 135 mm F3.5 - 5.6 Kit Lens (Beginner)

The Sony a6400 laid in the grass

So if you are starting out and have decided to go for APS-C cameras as your first camera, I highly recommend you get the Sony a6400 APS-C Camera with the 18-135mm kit lens. The a6400 comes with a 24.2MP APS-C cropped sensor, a new processor, 4K video recording capability, extremely fast autofocus, a LOG picture profile system, and many more.

With this combination of the 18-135mm kit lens, it should give you all the range you need for your travel while keeping the setup light and affordable. For both the lens and the body, it should cost around 1200 USD or even less if you don't mind buying used.

After you are used to photographing with this setup, you can then upgrade your lenses from there with a Rokinon 12mm F2 (300 USD) for super wide-angle shots and astrophotography, a Sigma 56mm F1.4 (400 USD) for portraits, and a Sigma 30mm F1.4 (249 USD) for low-light. You should be golden.

Check Price for Sony a6400 + 18 - 135 mm Lens

Sony a6600 + 16 - 55 mm F2.8 Sony G Lens (Advanced)

The Sony a6600 and Sony 16-55mm F2.8 Lens side-by-side

If you want the best that the Sony APS-C lineup has to offer and money is no object for you, then I recommend getting the Sony a6600 together with the Sony 16-55mm F2.8 lens. This ultimate setup will provide everything you need from a travel camera: a good zoom range in one body, a fast aperture at F2.8 (making it great for low-light), long battery life, best-in-class autofocus, and so much more.

Basically, it is the perfect camera and lens combination for travelers who are looking for a lightweight but highly capable camera with one lens to rule them all for their trips.

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You can also go even further and add the Rokinon 12mm F2 (300 USD) to cover the ultra-wide-angle focal length and the Sony 70-350mm (900 USD) (my review of this lens here) to cover the super-telephoto range. With these, you no longer need any other lenses for your travel.

Check Price for Sony a6500 + 16 - 55 mm F2.8 Lens

And there you have it, my answer to the question, "Should I buy a full-frame or an APS-C camera?" all from a traveler's perspective, and the 5 reasons why I decided to stick to the APS-C camera, contrary to what everyone on the Internet is doing, which is to go full-frame right out of the gate without even assessing if they actually need it.

What do you think of my reasoning? Do you agree? Feel free to express your opinion down in the comments below, and let's keep the discussion constructive and civil šŸ˜‰.

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Further Reading for Resources

Looking for more articles to help you with your travel, may it be camera gears or clothing? Here are a collection of articles you might like:

Disclosure: This post may contain affiliate links.

Categories PhotographyResourcesInspirationFilmmaking

13 Comments


Oliver's profile picutre
Oliver

Hi, I'm trying to decide between the Sony A6600 and the Fuji X-T4 both with a 16-55 f/2.8 lens. Which would you reccommend for travel? Price is within £20 for each camera + lens and I'm only looking to buy the one lens at the moment.
The Sony makes a smaller package, weighs less and also has better battery life where the Fuji has better out of camera pictures, image stabilization looks better (from youtube comparison videos) and has a couple of other nice to haves like 2 SD card slots and faster USB transfer speeds.


Pete Rojwongsuriya's profile picutre
Hi, I'm trying to decide between the Sony A6600 and the Fuji X-T4 both with a 16-55 f/2.8 lens. Which would you reccommend for travel? Price is within £20 for each camera + lens and I'm only looking to buy the one lens at the moment.
The Sony makes a smaller package, weighs less and also has better battery life where the Fuji has better out of camera pictures, image stabilization looks better (from youtube comparison videos) and has a couple of other nice to haves like 2 SD card slots and faster USB transfer speeds.

Hey Oliver,

If I were you and I didn't have any Sony lenses right now, I would go with the Fuji X-T4. The APS-C future is much brighter with Fuji at the moment as they keep pushing the boundaries. I can't say the same for Sony right now. Fuji also has more lenses at the moment although more expensive, but if you have the money to invest, Fuji is definitely the way to go.

I hope this helps.

P.S. I've recently rounded up all the Fuji lenses to buy for travel in case you are interested: Best Fuji Lenses for Travel.


Oliver's profile picutre
Oliver replying to Pete Rojwongsuriya
Hey Oliver,

If I were you and I didn't have any Sony lenses right now, I would go with the Fuji X-T4. The APS-C future is much brighter with Fuji at the moment as they keep pushing the boundaries. I can't say the same for Sony right now. Fuji also has more lenses at the moment although more expensive, but if you have the money to invest, Fuji is definitely the way to go.

I hope this helps.

P.S. I've recently rounded up all the Fuji lenses to buy for travel in case you are interested: Best Fuji Lenses for Travel.

Great thanks for that, actually your top recommended lens was the one I was looking at! If the decision were between the X-T4 w/16-55 f/2.8 and the Sony A7C with a Tamron 28-200 f/2.8-5.6 or the Tamron 28-75 f/2.8 (picking one of these lenses) what would your pick be assuming no price difference?


Pete Rojwongsuriya's profile picutre
Great thanks for that, actually your top recommended lens was the one I was looking at! If the decision were between the X-T4 w/16-55 f/2.8 and the Sony A7C with a Tamron 28-200 f/2.8-5.6 or the Tamron 28-75 f/2.8 (picking one of these lenses) what would your pick be assuming no price difference?

This decision will depend on whether you are looking to upgrade to full-frame in the future because if you do want to move up then it would be much easier if you start with Sony a7C. The body is compact but the lenses are still huge and expensive. There's no denying the benefit of Full-frame over APS-C though. They are just better at low-light than APS-C Cameras.

Personally, I would go with Sony a7C but maybe with Sony 24 - 70mm G Master as I found 28mm not wide enough for travel. Unfortunately, the g master lens cost an arm and a leg so maybe 24 - 105mm F4 might be a good idea too if you do not need the low-light capability. If you don't mind the 28mm, the Tamron is a good option or the newly released Sigma 28-70mm F2.8 DG DN that is smaller than the Tamron, if you can wait.

If you would rather keep your pack light-weight and affordable, APS-C is still the way to go which is something I prioritize when I travel. :) I hope this helps!


Gordon's profile picutre
Gordon

Just a bit confused? Great current article (Sept 2022) on why you use a APSC camera and lenses, yet when I checked your gear you are using a Sony A7C and large ff lenses. Did I miss an update? I’m struggling myself to decide between the A7C and a Sony APSC. Do a lot of hiking and smaller and light is always best, but do like the A7C. Not too much larger than the Sony A6600, though the ZV E10 much lighter.


Pete Rojwongsuriya's profile picutre
Just a bit confused? Great current article (Sept 2022) on why you use a APSC camera and lenses, yet when I checked your gear you are using a Sony A7C and large ff lenses. Did I miss an update? I’m struggling myself to decide between the A7C and a Sony APSC. Do a lot of hiking and smaller and light is always best, but do like the A7C. Not too much larger than the Sony A6600, though the ZV E10 much lighter.

Hey Gordon, sorry for the confusion! The post was written before the Sony a7C came out and I have yet to update my thoughts on this topic. The date on the post got updated accidentally due to site-wide changes I made so the date became 2022.

I was all content with my APS-C camera setup but then the Sony a7C came out which is the same weight and size as the Sony aps- cameras and even though I didn't switch right away, I hit a snag when I was using the Sony a6500 to shoot a once in a lifetime Yi Peng Festival in Chiang Mai, Thailand in 2020 and due to the poor lighting condition, the photos came out way too grainy for my liking.

During that time, Sony and third party lens manufacturers started pumping compact and lightweight full-frame lenses left and right and I'm not gonna lie, it piqued my curiosity. I wanted to see if I upgraded to full-frame, will it improve the quality of my photos when I shoot in poor lighting condition and it did so I kept it.

The weight increases was significant at first and I really hated carrying my day pack (10kg!) but then I switch the lenses around, mixed and matched and found the perfect load that I don't mind carrying around all day every day. Now, my daypack is sitting at around 6 kg which is manageable.

That is basically why I ended up switching to full-frame. I was just reaching the limits of the technology and the only way for me to improve is to upgrade. I still miss my Sony a6500 + 16-70 F4 combo, its weight, and how convenient it was.

To help guide you in your choice, if you make money out of it then yes, upgrade. If you are dissatisfied with the limits of the APS-C technology, upgrade, even if you are a weight watcher. There are so many lightweight full frame lenses nowadays, the combination is endless given you have the budget.

BUT if you are completely ok with what your APS-C cameras are producing right now. You are satisfied with the photos you take 85% of the time and you like the setup as it is, both the compactness and lightness, and you don't want to burden yourself with more load, then I don't think you need to upgrade. The Sony a6600 + Sony 16-55mm G lens setup is a beast and the setup should get the job done most of the time, especially for hiking as you will often find yourself outside with enough light to compensate the small sensor size.

I hope this helps a little. I'll try to update the article when I find the time. :)


Gordon's profile picutre
Gordon replying to Pete Rojwongsuriya
Hey Gordon, sorry for the confusion! The post was written before the Sony a7C came out and I have yet to update my thoughts on this topic. The date on the post got updated accidentally due to site-wide changes I made so the date became 2022.

I was all content with my APS-C camera setup but then the Sony a7C came out which is the same weight and size as the Sony aps- cameras and even though I didn't switch right away, I hit a snag when I was using the Sony a6500 to shoot a once in a lifetime Yi Peng Festival in Chiang Mai, Thailand in 2020 and due to the poor lighting condition, the photos came out way too grainy for my liking.

During that time, Sony and third party lens manufacturers started pumping compact and lightweight full-frame lenses left and right and I'm not gonna lie, it piqued my curiosity. I wanted to see if I upgraded to full-frame, will it improve the quality of my photos when I shoot in poor lighting condition and it did so I kept it.

The weight increases was significant at first and I really hated carrying my day pack (10kg!) but then I switch the lenses around, mixed and matched and found the perfect load that I don't mind carrying around all day every day. Now, my daypack is sitting at around 6 kg which is manageable.

That is basically why I ended up switching to full-frame. I was just reaching the limits of the technology and the only way for me to improve is to upgrade. I still miss my Sony a6500 + 16-70 F4 combo, its weight, and how convenient it was.

To help guide you in your choice, if you make money out of it then yes, upgrade. If you are dissatisfied with the limits of the APS-C technology, upgrade, even if you are a weight watcher. There are so many lightweight full frame lenses nowadays, the combination is endless given you have the budget.

BUT if you are completely ok with what your APS-C cameras are producing right now. You are satisfied with the photos you take 85% of the time and you like the setup as it is, both the compactness and lightness, and you don't want to burden yourself with more load, then I don't think you need to upgrade. The Sony a6600 + Sony 16-55mm G lens setup is a beast and the setup should get the job done most of the time, especially for hiking as you will often find yourself outside with enough light to compensate the small sensor size.

I hope this helps a little. I'll try to update the article when I find the time. :)

Got it and thanks! I actually found the other article. Both well done!


Robert John's profile picutre
Robert John

I have a Nikon d7500 and I like it very much. My most used lenses are an 18-140 (Ā£250 used), 300/f4 (Ā£800 used), 70-200/f4 (Ā£750 used) and 85/f1.8 (Ā£300 used). I've got 19x13 inch prints from it framed and on the wall.
I used to have a Nikon d610 and replaced that with a Nikon z5. I found the d610 a bit of a tank and the z5 just so-so. I like the evf but it randomly overexposes (despite having been back to Nikon) and I don't find the AF as reliable as the d7500.
I enjoy wildlife and landscape photography. The d7500 is much better at wildlife and the z5 only marginally better for landscapes. Bearing in mind that the d7500 and z5 cost the same new, it's easy to say which is the better value.
If I had to lose one of these cameras it would be the full-frame. No question.


Pete Rojwongsuriya's profile picutre
I have a Nikon d7500 and I like it very much. My most used lenses are an 18-140 (Ā£250 used), 300/f4 (Ā£800 used), 70-200/f4 (Ā£750 used) and 85/f1.8 (Ā£300 used). I've got 19x13 inch prints from it framed and on the wall.
I used to have a Nikon d610 and replaced that with a Nikon z5. I found the d610 a bit of a tank and the z5 just so-so. I like the evf but it randomly overexposes (despite having been back to Nikon) and I don't find the AF as reliable as the d7500.
I enjoy wildlife and landscape photography. The d7500 is much better at wildlife and the z5 only marginally better for landscapes. Bearing in mind that the d7500 and z5 cost the same new, it's easy to say which is the better value.
If I had to lose one of these cameras it would be the full-frame. No question.

Interesting take! In combination with lenses, the APS-C camera remains the king of portability for sure. Thank you for sharing your thoughts. I never use Nikon before, only Sony, so that was a really interesting read :)


Radule Perisic's profile picutre
Radule Perisic

I used APS-C for pro work. I work like photo reporter, concert photographer etc.... Also I take my D7200 every were I go. I don't see many diferences with FF cameras. I work with D750, D610. I have a problem with EVF I can't habit on it. Many, many goot experiences with APS-C.


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