A Traveler's Review: The Sony E 16-55mm F2.8 Lens - The Best All-Around Lens For Your Sony a6600 and a6500

A Traveler's Review: The Sony E 16-55mm F2.8 Lens

The Best All-Around Lens For Your Sony a6600 and a6500
A photo of Pete R.
By Pete R.,
Updated on

If you ask me to pick only one lens to take on my travels, I would definitely choose the Sony 16-55mm F2.8 lens. Throughout my journey in the last 3 years, I have been using the Sony a6500 together with the Sony 16-70mm F4 lens.

I was somewhat happy with the combination, with a few caveats here and there, like the slow aperture speed at F4 and the inconsistent sharpness. So, when Sony released its new set of professional-grade lenses for the APS-C Mirrorless Camera lineup in 2019, I was all in it.

After traveling with the Sony E 16-55mm F2.8 lens for a while now, I have decided to write this article on my thoughts about the lens, what I like, what I dislike, and why this lens has become my go-to lens 90% of the time when I'm traveling.

Without further ado, here's a traveler's review of the Sony E 16-55mm F2.8 lens, a professional-grade APS-C lens built specifically for the Sony APS-C camera, and why this is the best travel lens you can get for your Sony a6600 and a6500.

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Summary of the Sony E 16-55mm F2.8 Lens

Sony 16-55mm F2.8 Lens second hand from the side with G Master logo.

If you are short on time, here is a quick summary of the pros and cons of the Sony E 16-55mm F2.8 Lens, and a link to see the recent price of the lens.

Pros
  • High Performance
  • Excellent Build Quality
  • Fast Autofocus
  • Fast Constant Aperture at F2.8
  • Excellent Range For Travel.
Cons
  • Expensive
  • Bad Barrel Distortion at 16mm
  • No Optical Stabilization

Check Price on Amazon

What to look for in an all-around travel lens?

The Sony 16-55mm F2.8 mounted on a Sony a6500 camera

When it comes to travel, it is important to have a lens that is versatile, easy to operate, and works in any condition. Travel photography, especially for those who like to do run & gun or documentary style, relies on the spontaneity of travel, and they need their gear to just work.

There won't be enough time to switch lenses when you want to capture a spontaneous moment, which happens all the time when you travel. Therefore, a zoom lens that covers a good range is essential. You are also not strictly photographing one type of subject, but many, from architecture to portrait. So, you will need a lens with a focal length that enables you to do both.

You will also have to rely heavily on autofocus since your subject won't stay in the same position forever, so a native lens with a fast and reliable autofocus mechanism is a must.

A lens that is light and compact enough to carry around when you travel, with the fewest compromises physically possible, is something we should look for. You will be carrying the lens with your camera most of the time, so the weight has to be acceptable.

Last but not least, when it comes to travel photography, you won't be able to control your lighting situation, so a lens with a fast aperture will help you shoot in poor light conditions without having to sacrifice the sharpness and quality of your image.

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Why the Sony E 16-55mm F2.8 Lens Is the Perfect Travel Lens?

Excellent Range For Travel

A sample image shot with Sony 16-55mm F2.8 at 16mm of the Wat Tham Sua temple in Kanchanburi in Thailand

As mentioned above, when you are traveling, you will be taking photos of a variety of things, from architecture to landscapes to people. With the Sony E 16-55mm F2.8 lens (24 - 82mm equivalent on a full-frame camera), at a focal length of 16mm, you have a wide enough range to capture large architecture, such as the Colosseum in Rome, or this gigantic Buddha image I shot at Wat Tham Sua in Kanchanaburi, shown above.

You are also not stuck with one focal length, as you can zoom all the way to 55mm if you want to capture certain details of a building or a landscape. At 55mm, with its fast F2.8 aperture, the lens will also allow you to capture some really stunning portraits with creamy bokeh, something you can't do with lenses that are at F4 like my previous Sony 16-70mm F4 lens.

With the 16-55mm range, most of the focal lengths you will need for your travel are all covered with this lens. If you are a light traveler who does not like carrying many lenses with you, the Sony 16-55mm F2.8 lens is the one to get.

Produce Great Image Quality At All Ranges

A person standing on a mountain ridge overlooking Pilok village in Kanchanburi, Thailand

A huge problem that comes with using a zoom lens is that the quality and sharpness can vary a lot depending on the focal length you are using. That was definitely the case with my old Sony 16-70mm F4, where at 70mm, the image quality falls apart completely, softening the detail, especially around the edges.

With the Sony E 16-55mm F2.8 lens, that is no longer the case. The Sony 16-70mm was released in 2013, whereas the Sony 16-55mm F2.8 was released in 2019. During this time, Sony has constantly optimized its lens manufacturing process and improved its glass quality so much that the sacrifice you often get from using a zoom lens is no longer visible with the Sony 16-55mm F2.8 lens.

The image produced by this lens is phenomenal, with the detail tack sharp from edge to edge in almost all focal lengths and apertures. The images produced with this lens are so consistently great throughout the range that you won't be able to see the difference unless you pixel peep.

With the F2.8 aperture, your image will also produce less noise in poor lighting conditions as you do not have to ramp up the ISO to compensate for the lack of light. The wide aperture will accommodate that for you, and you will find that your night photo is much more usable than if you shot it with an F4 lens like the Sony 16-70mm.

No matter what you throw at it, the Sony 16-55mm F2.8 lens can handle it. The lens is definitely a pro-grade level lens with the reliability and quality that professionals can rely on. If you are looking for a high-quality, versatile lens, this is the best one you can get for your Sony APS-C cameras.

Fast Constant Aperture at F2.8

A sample of night shot with the Sony 16-55mm F2.8 in Kanchanburi, Thailand

With a fast constant aperture of F2.8, the lens is much better at handling low-light photography and videography than my previous lens, the Sony 16-70mm F4. At F2.8, you can keep your ISO low enough at night to produce sharp images with very little noise. This, in turn, allows you to go as far as doing astrophotography with this lens.

Also, with the F2.8 aperture, especially at a 55mm focal length, the lens will allow you to produce stunning portraits as well, with outstanding subject separation and creamy bokeh that comes with the wide aperture.

The Sony E 16-55mm F2.8 lens is truly the one lens to rule them all. It is great for landscapes, architecture, and portraits. It's great in poor light conditions and can produce stunning bokeh. That's more than one can ask for in a lens.

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Fast Accurate Autofocus

A sample image of the Sony 16-55mm F2.8 lens autofocusing on a woman face in Kanchanburi, Thailand

As mentioned before, travel photography, with the spontaneity that comes with traveling, requires the lens you carry to have good autofocus, and the Sony 16-55mm F2.8 delivers.

The Sony E 16-55mm F2.8 lens comes with an advanced motorized mechanism that maximizes the focus performance of the lens. It uses the same technology as their high-quality, super-expensive full-frame G Master lens lineup. This allows the lens to focus on subjects swiftly and quietly in most lighting conditions.

With such a reliable autofocus mechanism, the lens will allow you to focus on capturing those spontaneous and candid travel moments that are not easy to come by, instead of worrying whether the subject is in focus or not. Pairing this lens with the new autofocus system of the Sony a6600, and you are all set for anything the world throws at you.

Great Build Quality

The Sony 16-55mm F2.8 lens vertically on a table.

As travelers, we are often out in the elements most of the time and we need gear that can withstand such conditions as well as ourselves, so that all we have to worry about is capturing the right photo instead of having to worry about our gear.

The Sony E 16-55mm F2.8 lens is definitely up to the challenge. The lens is weather-sealed, and the front element is coated with fluorine, which helps repel moisture and grease, making it easier for you to clean.

The build is solid and sturdy, allowing for good, firm handling. The focus and zoom rings are rubberized, smooth, and easy to control. With its polycarbonate body, it is harder to scratch than my old Sony 16-70mm F4 lens, which was all scratched up after 3 years of usage.

All in all, the build quality is great and matches very well with the polycarbonate body of the Sony a6500 and a6600.

What I Personally love About the Sony E 16-55mm Lens As A Traveler

Great For Travel Landscape and Portraits

A landscape and portrait photo shot with the Sony 16-55mm F2.8 lens

One of the things I love most about this lens is how versatile it is. At 16mm, I can shoot all kinds of architecture as well as capture the vast landscape that I often find myself in while hiking.

A sample bokeh wide angle image from the Sony 16-55mm F2.8

Shot at 16mm with F2.8 aperture. Excellent bokeh blur even at the widest focal length.

When I travel, I also like to explore the local culture by observing the people in places like squares or markets. Occasionally, I might have the opportunity to take a portrait photo of the locals. With this lens, I was able to do so easily without having to change to my portrait lens.

A sample bokeh close up image at 55mm, F2.8 of a kid in Kanchanburi. Shot with the Sony 16-55mm F2.8

Shot at 55mm with F2.8 aperture. You can blur the background pretty substantially with F2.8 at this focal length.

At 55mm, F2.8, I can easily blur out the distracting background and focus on the person, allowing me to capture all the expressions on their faces and really emphasize the person and the life they are living.

With such a fast aperture and versatile range at 16 - 55mm or 24mm - 82mm full-frame equivalent, the Sony E 16-55mm F2.8 lens is a much better fit for travel than my old Sony 16-70mm F4, which I find to be quite inconsistent in terms of quality, and the Sony 18-105mm F4, both of which are not great in low-light due to the slow aperture at F4.

Plus, 18mm is not wide enough for landscape or architecture photography. That 2mm difference is more prominent than you think, especially at the wide end of the focal length. With the Sony 16-55mm F2.8, you will be getting everything you need with very few compromises, which I can't say the same for the other zoom lenses.

No Need to Change Lenses While Traveling

Sony APS-C E-Mount lenses lined up vertically in front of a bookshelf.

The Sony E 16-55mm F2.8 lens is so versatile that I found myself having it mounted on my camera 90% of the time throughout my trip in Kanchanaburi. When I shoot with this lens, I rarely have to think about switching lenses since the Sony 16-55mm F2.8 lens more often than not covers all the focal lengths and apertures I need for travel photography. This allows me to focus more on capturing the moment than worrying about my gear.

Without having to change lenses, I am also not exposing my camera sensor to all the elements that I often subject it to. Trust me, when you are in the Himalayas, hiking at 5,000m with all kinds of debris flying around you, the last thing you want is to have your camera sensor wide open for the dust to get in.

Finally, without having to use so many lenses, you will also be able to shed some weight off your camera gear load. And if you are a light traveler like I am, this is a big plus. I used to carry at least 5 lenses, but with this one lens, I am down to 3. That means 2 less expensive camera gear items I have to worry about.

Produce Pro-Grade Results

A person walking at Pilok in a misty night in Kanchanburi, Thailand

I used to find that the Sony APS-C lenses lineup lacked professional-grade lenses to produce extremely high-quality images. Most of their old lineup often came with caveats and compromises that are not suitable for professional use.

With all the new pro-grade lenses they have released for the Full-frame lineup in the past years, I wonder if Sony has already given up on us, APS-C users.

Thankfully, with the release of this lens in 2019, Sony has finally utilized all the technologies they had on their full-frame lenses and produced an APS-C lens that is capable of producing high-quality images with very few compromises, and the Sony E 16-55mm F2.8 lens delivers.

I don't usually print out my photos, but I do like the option to do so when I want to. With the edge-to-edge sharpness that comes with this lens, I can now print out my architecture and landscape travel photos without the blurry and soft edges that came with my old Sony 16-70mm.

With the outstanding optic that comes with this lens, I am no longer limited to the compromises that often come with old lenses, and I can now focus more on capturing the moment and less on the focal length and aperture to shoot at for the sharpest result.

The Drawbacks of the Sony E 16-55mm F2.8 Lens

Extremely Expensive

A person holding old Thai coins in Kanchanburi, Thailand

The Sony E 16-55mm F2.8 lens is definitely a professional-grade lens, and it comes with a huge price tag of 1,400 USD retail price, which will turn away many photographers out there.

At 1,400 USD, the Sony 16-55mm F2.8 lens is as expensive as the latest Sony APS-C camera body, the Sony a6600, which is priced at 1398 USD. This is a price that even I, who look at it as an investment for my travel blog instead of a hobby, cannot stomach.

In order to get my hands on one, I had to rely on the secondhand market, and fortunately, I found one used for around 1,000 USD, which is still pretty expensive but a little more manageable, so I jumped on the opportunity.

The retail price often varies from 1200 USD to 1400 USD, so if you want to get it cheaper, I recommend you keep an eye out on your local secondhand market and snatch one cheap when someone does decide to sell it.

All in all, it is the best zoom lens you can get if you are using the Sony a6500 or a6600, but the price may be a little out of touch with reality here. To be honest, only those who are sticking with the APS-C format for the long haul, like me, will see it as a good purchase at this price point.

No Optical Image Stabilization

A person holding the Sony APS-C Camera in the air.

You may have noticed that I keep recommending this lens for Sony a6500 and a6600 users only. What about Sony a6400, a6300, a6100, and a6000 users? Well, this is the answer.

The Sony E 16-55mm F2.8 lens does not come with optical image stabilization, which isn't much of a problem for Sony a6500 and a6600 users as both models come with In-Body Stabilization (IBIS). However, unfortunately, for the rest, this might not be a good purchase for you.

The Sony a6400, a6300, a6100, and a6000 all lack IBIS, and that is a huge problem, especially for run & gun shooters and travelers who often shoot handheld. If you shoot videos on these camera bodies, a lens without image stabilization is a dealbreaker.

I kind of understand what Sony is aiming for here. I believe Sony built this lens for the future, where all their camera bodies will likely come with IBIS. In order to keep the size and dimensions light and compact, they had to omit the stabilization.

But that future is not here yet, and while the majority of their APS-C camera bodies still lack IBIS, I can only recommend this lens to a minority of Sony APS-C owners who are using the Sony a6600 or a6500.

Visible Barrel Distortion at 16mm Focal Length

A sample image of barrel distortion at 16mm Focal Length on the Sony 16-55mm F2.8 lens.

This is a very minor problem that only affects those who shoot RAW, and even then, it can be easily fixed with a program like Lightroom. However, I feel like I have to mention it.

At 16mm, the Sony E 16-55mm F2.8 lens produces heavy barrel distortions with visible vignetting on the edges of the RAW images. At around 24mm, the vignetting becomes much more manageable. This is probably due to how they designed and manufactured the lens, and as mentioned earlier, it can be easily fixed with a post-processing program like Adobe Lightroom.

If you shoot JPEG, there's nothing to worry about as the in-body correction is applied automatically, so no barrel distortion will be visible in your image. Again, it's a very minor problem that had zero impact on your image quality, but it's good to point it out.

Sample Images from the Sony 16-55mm F2.8 Lens

A sample image of Sony 16-55mm F2.8 lens in low light of a man standing in front of a waterfall in Pilok, Kanchanaburi, Thailand

Shot with Sony a6500 at 16mm, F5, ISO 100, 1/60th shutter speed in Kanchanaburi, Thailand

A sample image of Sony 16-55mm F2.8 lens in low light of a river going in to the horizon in Sangkhlaburi in Kanchanaburi, Thailand

Shot with Sony a6500 at 46mm, F5, ISO 100, 1/200th shutter speed in Sangkhlaburi, Kanchanaburi, Thailand

A sample image of Sony 16-55mm F2.8 lens in low light of the River Kwai Bridge at night in Kanchanaburi, Thailand

Shot with Sony a6500 at 37mm, F8, ISO 1600, 1/5th shutter speed in Kanchanaburi, Thailand

A sample image of Sony 16-55mm F2.8 lens at 16mm shot in Kanchanaburi, Thailand

Shot with Sony a6500 at 16mm, F2.8, ISO 100, 1/640th shutter speed in Kanchanaburi, Thailand

A sample image of Sony 16-55mm F2.8 lens at 55mm shot in Kanchanaburi, Thailand

Shot with Sony a6500 at 55mm, F2.8, ISO 100, 1/400th shutter speed in Kanchanaburi, Thailand

A sample image shot with the Sony 16-55mm F2.8 lens of a lamp at night in an illuminated city in Pilok, Kanchanaburi

Shot with Sony a6500 at 38mm, F2.8, ISO 1600, 1/30th shutter speed in Pilok, Kanchanaburi, Thailand

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Overall, This is the Only Travel Lens You Need For the Sony a6600 and a6500 Cameras

Sony 16-55mm f2.8 lens for Sony APS-C Mirrorless Camera

All in all, the Sony E 16-55mm F2.8 lens is the best native zoom lens money can buy for your Sony APS-C cameras. The benefit of the 16-55mm range with a fast fixed aperture of F2.8 is undoubtedly extremely beneficial for travelers like us who cannot control the environment in which we are shooting.

From landscape to architecture to portrait, the Sony 16-55mm F2.8 is the one lens to rule them all. The size is compact and light for what you get, and the build quality is top-notch.

Yes, the price is extremely expensive, but if you are committed to the Sony APS-C format and already using the Sony a6500 and a6600 cameras, and are looking to up your travel photography game, there is no better lens out there for you than the Sony 16-55mm F2.8 lens.

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Further Reading for Resources

Looking for more articles to help you with your travel, whether it be camera gear or clothing? Here is a collection of articles you might like:

Disclosure: This post may contain affiliate links.

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7 Comments


Martin's profile picutre
Martin

Great post on the Sony E 16-55mm FA2.8G. I too travel with this lens and A6500. It makes sharp photos as great travel camera lens lighter, greater zoom reach and greater depth of field than full frame which is what I want when travelling. I use the cheaper 18-135mm F4 zoom for Telephoto only and the Zeiss 24mm F1.8 for really low light photos and video. Amazing results with all from a compact setup.


Pete Rojwongsuriya's profile picutre
Great post on the Sony E 16-55mm FA2.8G. I too travel with this lens and A6500. It makes sharp photos as great travel camera lens lighter, greater zoom reach and greater depth of field than full frame which is what I want when travelling. I use the cheaper 18-135mm F4 zoom for Telephoto only and the Zeiss 24mm F1.8 for really low light photos and video. Amazing results with all from a compact setup.

Hey Martin,

Thank you! I agree. It's a pro-grade lens for the Sony APS-C camera that focuses on high quality imagery as well as compactness I had been waiting for. It's a little pricey but you really do get what you paid for for this lens. :)


Chris Dutton's profile picutre
Chris Dutton

Have you tried the Sigma 18-50mm? I can't decide between these 2. Loved your review.


Pete Rojwongsuriya's profile picutre
Have you tried the Sigma 18-50mm? I can't decide between these 2. Loved your review.

That's another great budget alternative if you don't mind the lack of 16mm and you enjoy having a lightweight and compact setup. Perfect fit for APS-C body for sure. Definitely, worth checking out.


Mike's profile picutre
Mike

Can possibly use Pentax lenses with Sony 6700 or 6400
Can you email your suggestions to me


pablo's profile picutre
pablo

Excellent review.

I can buy the Sony for 630โ‚ฌ and the Sigma 18-50mm f2.8 DC DN at 425โ‚ฌ

with a 205โ‚ฌ of difference what would be your choice?


Pete Rojwongsuriya's profile picutre
Excellent review.

I can buy the Sony for 630โ‚ฌ and the Sigma 18-50mm f2.8 DC DN at 425โ‚ฌ

with a 205โ‚ฌ of difference what would be your choice?

Hi Pablo, I'd still go for the Sony. The extra 16mm is going to be very useful for many types of application. Sony also retain its resell value more than the Sigmas, so in case you want to sell it to upgrade to a different system. :) I hope this helps!


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