A Traveler's Review: Sigma 56mm F1.4 Lens -  The Best Street/Portrait Travel Lens For the Sony APS-C Cameras

A Traveler's Review: Sigma 56mm F1.4 Lens

The Best Street/Portrait Travel Lens For the Sony APS-C Cameras
A photo of Pete R.
By Pete R.,
Updated on

Travelers like us often utilize our camera gear in a way that pushes it to the limit due to the variety of circumstances and situations we often find ourselves in.

That is why I often recommend travelers who are on the Sony APS-C format to get a zoom lens such as the Sony 16-55mm F2.8 or the Sony Zeiss 16-70mm F4 lenses to allow us the flexibility to accommodate all of these situations.

But what if you have been using the zoom lens for a while now and are looking for something new? Maybe a second lens to go with the main all-in-one zoom lens to capture our travels?

That was exactly where I found myself when the pandemic hit in early 2020, which gave me the time to contemplate how I could improve my travel photography game.

Plus, it got a little too depressing after 2 months of lockdown, and I needed something to cheer myself up ๐Ÿคฃ. So, I bought myself a new lens to hopefully improve the quality of the photos you will be seeing on this blog in the future.

The Sigma 56mm F1.4 lens is a prime lens for Sony APS-C cameras, and as Thailand started to open its tourist attractions, I took the lens out for a spin the other day and captured what Bangkok tourist attractions look like after COVID-19. Here is my review of the Sigma 56mm F1.4 lens:

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Summary of the Sigma 56mm F1.4 Lens

The Sigma 56mm F1.4 lens for Sony on a table.

If you are short on time, here is a quick summary of the pros and cons of the Sigma 56mm F1.4 lens and a link to see the lens's recent price.

Pros
  • The Sharpest Lens Out There
  • Excellent Subject Separation.
  • Small and Lightweight
  • Affordable, at around $400 USD.
  • Great in Low-light
Cons
  • Autofocus is not as fast as Sony lenses.

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What to look for in a travel street photography lens?

The aperture blades inside the Sigma 56mm F1.4 lens.

Street photography is a run-and-gun shooting style where you roam the streets of a city you are currently visiting, capturing the candid moments you see around you.

It is a way for us, travel photographers, to show what life in the city we are visiting is really like, without overly romanticizing it like many of the photos you see on Instagram these days.

This requires the lens you have to be able to take photos spontaneously, so autofocus is essential here. Also, sometimes the light might not be ideal, and a lens with a fast aperture will allow us to capture spontaneous moments in whatever lighting condition we are in.

A sample Sigma 56mm F1.4 photos of a woman preparing her food cart at Bangkok Chinatown in Thailand.

Another thing to consider is the subject separation the lens provides. Going around a city and capturing the little details you see in a busy environment is difficult without a lens that will allow you to control the depth of field.

With a fast aperture lens, say at F1.4, this will allow us to capture any moments in low light as well as create a clear subject separation by giving us the ability to control the depth of field. This way, we can focus more on the subject while keeping the busy environment blurred out.

One last important factor to consider is the focal length. Most of the time in travel street photography, you will often prefer to capture candid moments. With a long enough focal length, you will be able to capture these moments easily without the subject realizing. Or at least, you will be far enough that they won't have time to pose for the camera, which helps us capture the natural feel of a city better.

With all these factors, let's look at why the Sigma 56mm F1.4 lens is the perfect travel street lens for this.

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Why Sigma 56mm F1.4 Is the Perfect Travel Photography Lens

Great Subject Separation

The DJI Mavic Mini hovering overlooking blurred landscape.

With a fast aperture of F1.4, which is one of the fastest apertures an APS-C lens can achieve, the Sigma 56mm lens can create smooth subject separation and allows us to focus more on the subject while blurring out the background to the point where you almost cannot tell where the subject is.

This allows us to focus more on the interesting subject at hand, which in turn helps highlight some of the little details that not many may have noticed. It often helps travel photographers to capture the rare moments that will allow us to tell a unique story through our photography in a way that no other aperture range can.

The Sigma 56mm F1.4 lens is great at doing this. With the lens wide open at F1.4, it is able to capture and produce stunning photos with great subject separation even in low-light situations without the loss of sharpness, unlike other slower lenses.

With an APS-C camera, which does not handle low light as well as its Full-Frame counterpart, this lens is a total game-changer for low-light photography on the Sony a6XXX series.

Produce Extremely Sharp Images

A Sigma 56mm sample photo of a close up of a Buddha image at the Grand Palace in Bangkok.

Sigma lenses are known to produce extremely sharp images, even more so than some of the Sony or Zeiss-made lenses that cost more than double the price of the Sigma lens. The Sigma 56mm F1.4 lens is no exception.

The Sigma 56mm F1.4 lens is hands down one of the sharpest lenses you can get for Sony APS-C cameras. The photos produced with this lens are sharp from corner to corner, which other lenses often struggle with. So, if you are looking for a sharp lens for travel street photography, this is the one to get.

Compact Size

The Sigma 56mm F1.4 lens mounted on the Sony a6500

I was quite surprised to see how compact the lens is when I took it out of the box. The lens dimensions are 59.5mm x 66.5mm / 2.3 in. x 2.6 in and it weighs 280g, which makes it a great travel lens as it doesn't take up space or weigh you down like other lenses.

The compact size also allows you to be quite discreet when you go around the street trying to take photos of the locals compared to having a zoom lens on. People will barely bat an eye when you have this lens on your camera, which makes for more natural and authentic photos.

More Affordable For the Quality You Get

A sample close up shot from the Sigma 56mm F1.4 Lens of a golden statue at the Grand Palace, Bangkok, Thailand

At 400 USD brand new, the Sigma 56mm F1.4 lens is a great bargain, especially when considering the quality you receive. The images produced are tack sharp, and the Bokeh is as dreamy as it can get.

Comparing this to other lenses by Sony or Zeiss, the Sigma 56mm is either the same price or cheaper, and none of these lenses come close to the F1.4 fast aperture and the sharpness you get from this lens. In the $400 USD price range, this is the best deal you can get for an autofocus travel street/portrait photography lens.

What I love Most About the Sigma 56mm F1.4 Lens

The Focal Length Allows For Candid Moments

A sample candid moment from the Sigma 56mm F1.4 lens of 2 women talking at Chinatown in Bangkok.

With a focal length of 56mm and how small and discrete it is when I mounted the Sigma 56mm F1.4 lens on my a6500 body, I was able to keep distance from my subject, allowing me to capture many natural candid photos that make street photography so mesmerizing to see.

A sample candid moment from the Sigma 56mm F1.4 lens of a group of people eating at Chinatown in Bangkok.

I went around the crowded Chinatown in Bangkok with this lens, and I was able to blend in with the crowds while pointing my camera at a subject without them noticing that I was there. Even if they do, it won't seem as obvious as having a larger lens on my camera.

A sample candid moment from the Sigma 56mm F1.4 lens of a group of people crossing the road at Chinatown in Bangkok.

This allows me to capture a brief moment of eye contact that truly enables viewers to feel a connection with the subject and helps elevate the stories I am trying to tell. I don't know why; I just love it when the subject looks at the camera in wonder ๐Ÿ˜‰.

The Lens is Compact

The Sigma 56mm F1.4 on a bookshelf showing the how big the lens is.

As some of you may know, I am a light traveler, and with all this new gear I have acquired over the years from the DJI Mavic Mini to all the other essential filmmaking gear, it is getting a little out of hand when it comes to the payload I have to carry on every trip I take.

The size of this lens is almost equal to another compact lens that I used to carry for street photography, the Sony 35mm F1.8, which has since been replaced by the Sigma 56mm F1.4 lens, and the switch has not affected the weight I carry at all, which is great.

If you are a light traveler and looking to add another portrait/street photography lens to your arsenal without having to carry more weight, this is the one to get.

2 Words, Bokeh King

A sample shot from the Sigma 56mm F1.4 lens of a statue in the Grand Palace in Bangkok.

The thing that I love the most, and probably the sole reason why I got this lens in the first place, is the bokeh effect it can produce when the lens is wide open at F1.4. None of the lenses I have were able to produce as creamy of a bokeh effect as this lens.

A bokeh example of a shot of 2 women talking at Chinatown Bangkok from the Sigma 56mm F1.4 lens.

The subject separation created from the blurred background is phenomenal. It really gives the look and feel that I have yet been able to capture with either my zoom lens or other prime lens I have.

A sample shot from the Sigma 56mm F1.4 lens of a couple taking photos of food at Chinatown, Bangkok.

With the fast aperture speed, the lens also allows me to capture incredible photos even in low-light, which my F4 zoom lens often struggles with. Additionally, you can't deny the beauty of the beautiful bokeh balls this lens can produce when shooting around lights at night ๐Ÿ˜….

Excellent in Low Light

A sample shot from the Sigma 56mm F1.4 lens in low light of people walking along the road in Chinatown, Bangkok.

As you may know, due to the smaller sensor of the APS-C format, the cameras do not perform as well in low-light as their full-frame counterparts. However, with the fast aperture of the Sigma 56mm F1.4 lens, the gap between APS-C and full-frame when it comes to low-light performance is bridging closer than ever.

A sample shot from the Sigma 56mm F1.4 lens in low light of a Shark Fin restaurant sign in Chinese in Chinatown, Bangkok.

With the aperture wide open, I was able to capture the streets of Bangkok Chinatown after sunset, with the ISO speed at 100, making the image tack sharp without too much noise. If it were with my F4 zoom lens, the noise would make the image almost unusable. This makes the Sigma 56mm the ideal lens for when you want to shoot outside in low-light.

The Drawbacks of the Sigma 56mm F1.4 Lens

The Autofocus is not as fast as Sony Lenses

A sample out-of-focus shot from the Sigma 56mm F1.4 lens in low light of a man selling durian in Chinatown, Bangkok.

There is one downside to this lens, though, which I noticed right away, and you might too, especially if you have been using Sony lenses before buying this lens. The autofocus of the Sigma 56mm F1.4 lens is fast but not as fast as the Sony lenses that I have gotten used to.

There were times when I had to shoot fast as the subject moved a lot, and the lens struggled to keep the subject in focus, which is a shame. However, this only happens around 15% of the time, while 85% of the time, the lens has no problem autofocusing on a subject.

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Overall, the Best Travel Street/Portrait Photography Lens For the Sony APS-C Camera

A sample shot from the Sigma 56mm F1.4 lens of a backpack in front of the Grand Palace in Bangkok.

After spending some time with it, I have to say that I am impressed with this lens. The photos this lens can produce are something that I have always wanted to be able to do. However, with the 16-70mm F4 Zeiss lens, the aperture was not fast enough to capture the beautiful bokeh that the Sigma 56mm lens can capture.

I also like the focal length at 56mm more than the 35mm I used to use for street photography because I can be further from the subject than with the 35mm lens. The additional F1.4 instead of F1.8 that comes with my 35mm lens also makes quite a difference, so it will probably be replaced with the Sigma 56mm on my upcoming backpacking trip.

Although, I would not recommend you getting the Sigma 56mm F1.4 as your only lens for your trip, as the focal length of 56mm is quite limiting. You will need a lot of space to be able to align your subject within the frame, and the lens will be rendered useless when you are in a tight indoor space.

What I would recommend is for you to get the Sigma 56mm F1.4 in addition to the zoom lens you already have. That way, you will have access to almost all of the focal lengths you need while you travel with the zoom lens and have the ability to capture portraits, street, and low-light photography with the Sigma 56mm lens.

The Sigma 56mm F1.4 lens by a bookshelf

So if you are a traveler who is looking for an additional lens for street or portrait photography to add to your arsenal or is simply on the lookout for a lens that can produce the best bokeh, sharp in low-light, and excellent subject separation images, I highly recommend you get the Sigma 56mm F1.4 lens lens.

I bought my Sigma 56mm F1.4 lens for 400 USD brand new. To see the recent price of this lens, make sure to check the link below:

Check Price for Sigma 56mm F1.4 Lens

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Further Reading for Resources

Looking for more articles to help you with your travel, may it be camera gears or clothing? Here is a collection of articles you might like:

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7 Comments


Varcolyx's profile picutre
Varcolyx

Is this lens good for astrophotography?


Pete Rojwongsuriya's profile picutre
Is this lens good for astrophotography?

Unfortunately, the focal length at 56mm or 84mm full-frame equivalent is way too tight for astrophotography. With this focal length is only good for portraits in my opinion.

A better lens for astrophotography would be the Rokinon 12mm F2 manual lens which is super cheap (less than 300~ USD) and the focal length is ultra-wide which is great when you want to capture the milky way and the landscape all in one frame.

If you would rather prefer a more versatile lens with autofocus for astrophotography and other application like landscapes, go with the Sigma 16mm F1.4. The focal length may not be as wide as 12mm Rokinon but it is wide enough for most astrophotography and landscapes. Plus, autofocus will help you with other application (not so much with astrophotography as you will likely have to manual focus anyway).

I hope this helps!


Fish's profile picutre
Fish

Great article but your website constantly jumps and twitchs around when scrolling down the page (due to ads I think), it's pretty annoying


Pete Rojwongsuriya's profile picutre
Great article but your website constantly jumps and twitchs around when scrolling down the page (due to ads I think), it's pretty annoying

Thanks for the heads up. :) Unfortunately, that's how we make money from our content but rest assured, our ad network is working on a solution to curb this page jumping issue. :)


Fish's profile picutre
Fish replying to Pete Rojwongsuriya
Thanks for the heads up. :) Unfortunately, that's how we make money from our content but rest assured, our ad network is working on a solution to curb this page jumping issue. :)

When I visited just now it was fine so maybe I was just unlucky with the ads that loaded at the time. You have a really nicely designed site here so it's a shame to ruin it with those kind of ads, thanks for responding :)


kiwirayda's profile picutre
kiwirayda

So, 16mm 1.4 equivalent 24 f2 for semi-wide and 56 1.4 equivalent 82 f2 for 'portrait' both good for street (I've come from a 20mm f1.2 zuiko full frame film OM2n and hard to replicate that performance and it's similar size : AS6700 (and A7C2) does that for bodies (Sony E 11 f1.8 comes close at equivalent 18mm but f2.7, yet good enough). 20mm f1.8 FF is massive glass size so hardly discrete.


Pete Rojwongsuriya's profile picutre
So, 16mm 1.4 equivalent 24 f2 for semi-wide and 56 1.4 equivalent 82 f2 for 'portrait' both good for street (I've come from a 20mm f1.2 zuiko full frame film OM2n and hard to replicate that performance and it's similar size : AS6700 (and A7C2) does that for bodies (Sony E 11 f1.8 comes close at equivalent 18mm but f2.7, yet good enough). 20mm f1.8 FF is massive glass size so hardly discrete.

Yeah, Sony doesn't have a great selection for 20mm APS-C lenses. They do have quite a few zoom lenses with F2.8 aperture that are still small and discrete so you might want to look into zoom lenses. :)


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