The BEST Sony APS-C Lenses to Buy for Travel in 2025 - A Complete Buying Guide

The BEST Sony APS-C Lenses to Buy for Travel in 2025

A Complete Buying Guide
A photo of Pete R.
By Pete R.,
Updated on

You know how much I love travel photography. I started taking photos seriously when I first stepped foot on the solo traveling world way back in 2013, and now, after more than a decade of trying MANY types of cameras, I still have a thing for the compact and full-functionalities of an APS-C camera.

When I started out, I used to use the Sony a6500, one of the most popular Sony APS-C cameras at the time, and I still remember how overwhelming it was to find the right lens that fits my needs, which is the reason why I decided to write this article.

Camera lenses aren't cheap, so it will be a very expensive lesson to learn if you pick the wrong lens for the job. This article will help you decide which is the best lens for you. We will recommend lenses for all the Sony APS-C cameras including the Sony ZV-E10, a6700, a6600, a6400, and a6100, as well as the older models like a6500, a6300, and a6000.

I will divide them into travel use cases so you can pick the one that fits your needs. Without further ado, here are the best Sony APS-C lenses you should check out.

The Best Sony Travel Cameras to BuyThe Best Sony Travel Cameras to Buy

๐Ÿ“ธ Quick Summary: Best Sony APS-C lenses for travel

Product
Sony 16-55mm f2.8 lens ๐Ÿ… Editor's Choice
Best All-Around Lens
Sony 16-55mm f2.8 lens
Features
  • Great focal length for general use
  • Produce sharp images
  • Fast aperture
Check PriceRead Our Review
Tamron 17-70mm f2.8 lens ๐Ÿ’ฐ Great Value
Best Value All-Around Lens
Tamron 17-70mm f2.8 lens
Features
  • Great focal length for general use
  • Affordable
  • Fast aperture
Check PriceLearn More
Sony 18-105 mm f4 lens
Best Video Lens
Sony 18-105 mm f4 lens
Features
  • Internal zoom
  • Affordable
  • Optical Image Stabilization
Check PriceLearn More
Tamron 11-20 mm f2.8 lens
Best Landscape/Architecture Lens
Tamron 11-20 mm f2.8 lens
Features
  • Ultra-wide field of view
  • Compact and lightweight
  • Fast Aperture
Check PriceLearn More
Tamron 11-20 mm f2.8 lens
Best Lens for Gimbal
Tamron 11-20 mm f2.8 lens
Features
  • Ultra-wide field of view
  • Compact and lightweight
  • Fast Aperture
Check PriceLearn More
Sony 10-18 mm f4 lens ๐Ÿ… Editor's Choice
Best Vlogging Lens
Sony 10-18 mm f4 lens
Features
  • Ultra-wide field of view
  • Compact and light-weight
  • Optical-Stabilization
Check PriceRead Our Review
Sony E 11mm F1.8
Best Astro Lens
Sony E 11mm F1.8
Features
  • Ultra-wide field of view
  • Fast aperture
  • Small & Compact
Check PriceLearn More
Sigma 56mm f1.4 ๐Ÿ… Editor's Choice
Best Portrait Lens
Sigma 56mm f1.4
Features
  • Beautiful bokeh
  • Light-weight and compact
  • Great image quality
Check PriceRead Our Review
Sony 35mm f1.8
Best Street Lens
Sony 35mm f1.8
Features
  • Affordable
  • Light-weight and compact
  • Nice Bokeh
Check PriceLearn More
Sony 70-350mm F4.5-6.3 Super telephoto lens ๐Ÿ… Editor's Choice
Best Wildlife Lens
Sony 70-350mm F4.5-6.3 lens
Features
  • Amazing super-telephoto range
  • Relatively compact
  • Optical image stabilization
Check PriceRead Our Review

Basic Camera Lens Knowledge

Basic Camera Lens Knowledge

There are two main things you need to learn about camera lens specifications that will help you pick the right lens for you: focal length and aperture.

Focal Length

1. Focal length, usually represented in millimeters (mm), determines how much of a scene will be captured. The higher the number, the narrower and higher the magnification. So, if you want a wide-angle lens, the lower the focal length, the better. Conversely, if you want a portrait or macro lens, the higher the focal length, the better.

To give you a point of scale, for a cropped sensor camera like the Sony a6700/a6600/a6400/a6100, 12mm will give you a super wide-angle shot, and 105mm will give you a very close-up shot from afar.

Sometimes, a lens may have a variable focal length, such as 16-70mm, which means that it is a zoom lens. You can adjust the focal length from 16mm (wide) to 70mm (narrow), giving you the flexibility you need.

Aperture

2. Aperture, usually represented by the f-number, determines how much light the lens can let in. The lower the f-number, the better it is for low-light situations, and the more blurry the bokeh effect becomes.

To give you a point of scale, on a cropped sensor camera like the Sony a6700/a6600/a6400/a6100, the f/1.4 lens, which often comes with a higher focal length (35mm, etc.), will perform very well under low-light conditions. It will also have a shallow depth of field (more bokeh effect), which is great for portraits.

Combining these 2 pieces of information, you should now be able to read the specification of a lens and know what it is for. For example, the 16-70mm f4 is a zoom lens that covers angles from wide to close-up, but it is not the best in low light. On the other hand, the 35mm f1.8 is a prime lens (a lens with a fixed focal length) that will give you a medium shot with a stunning bokeh effect and is excellent in low light.

Now that we have covered the basics, let's dive into the best lenses for the Sony a6700, a6600, a6400, a6500, a6400, a6300, and a6100.

14 BEST Sony Camera Accessories You Should Buy14 BEST Sony Camera Accessories You Should Buy

๐Ÿ“ธ Best Lenses for Sony APS-C cameras

๐ŸŒŽ All-Around Best Lens for Everything

The Sony 16-55mm F2.8 lens vertically on a table.

Pros
  • Light & Compact
  • Excellent sharpness
  • Fast autofocus
Cons
  • Expensive
  • No stablization
  • Bad Barrel Distortion at 16mm

Sony 16-55mm f2.8 lens: I used to recommend the Sony 16-70mm F4 Zeiss Lens, but since then, Sony has not stopped releasing new lenses for the Sony e-mount camera. With the recent release of the Sony 16-55mm with f2.8 constant aperture, which is way faster than the f4 on the Sony 16-70mm Zeiss lens, resulting in sharper photo quality and creamier bokeh, while still being compact, it is hard not to recommend this lens.

This is by far THE BEST zoom lens you can get for the Sony APS-C camera, and the price sure reflects it, as it costs about 1,298.00 USD. If you are looking for the best portable lens to get for your Sony APS-C camera, this is the one to get.

This lens is recommended for the Sony a6700, a6600, and a6500. Unfortunately, the lens doesn't come with optical image stabilization, so it is not recommended for cameras without built-in stabilization, such as the Sony ZV-E10, a6000, a6100, a6300, and a6400.

To sum it up, this is the best lens to get if you are looking for one APS-C lens to rule them all.

Check Price

A Traveler's Review: The Sony E 16-55mm F2.8 LensA Traveler's Review: The Sony E 16-55mm F2.8 Lens

๐ŸŒŽ All-Around Best Budget Lens for Everything

Tamron 17-70mm f2.8 lens for Sony APS-C Mirrorless Camera

Pros
  • Great range
  • Fixed and fast aperture
  • Affordable
Cons
  • Not the most compact and light lens
  • Not the sharpest

Tamron 17-70mm f2.8 lens: This is the next best lens to get if you are looking for an all-around travel lens that can produce high-quality images and has internal optical stabilization, which is perfect for those with the Sony a6000, a6100, a6300, and a6400, which lack in-body image stabilization.

Best of all, it is half the price of the Sony 16-55mm F2.8 lens! Even though the lens may not be as tack sharp as the Sony 16-55mm, it definitely comes very close at half the price. If you are looking for a cheaper all-around travel lens and don't mind the compromises, get the Tamron lens instead of the Sony.

This lens is recommended for the Sony ZV-E10, a6000, a6100, a6300, a6400, a6500, a6600, and a6700. With its internal optical stabilization, this is the best all-around lens to get if you are using the Sony a6000, a6100, a6300, and a6400 cameras.

To sum it up, this is the best lens to get if you are looking for one affordable APS-C lens to rule them all.

Check Price

๐ŸŽฅ All-Around Best Lens for Videos

Sony 18-105 mm f4 lens best lens for videography

Pros
  • Great range
  • Power-zoom
  • Affordable
Cons
  • Quite old
  • Bulky and heavy
  • Not the sharpest
  • F4 aperture might not be enough for some

Sony 18-105mm f4 lens: This is the best video lens you can get because of its similar features to the Sony 16-70mm Zeiss lens, but with an internal zoom barrel that doesn't extend out when you zoom in, and at half the price.

The lens may not be as sharp, but when it comes to video, you won't notice the difference, and with the internal zoom barrel, the lens is perfect for gimbal work. Basically, for videographers, there is no better deal than this lens.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000.

To sum it up, this is the best lens to get if you are looking for a video lens to rule them all.

Check Price

My advanced travel filmmaking gear guide for 2018My advanced travel filmmaking gear guide for 2018

๐Ÿ”๏ธ Best Lens for Landscape & Architecture

Tamron 11-20 mm f2.8 lens for Sony APS-C Camera

Pros
  • Light & Compact
  • Fast aperture
  • Ultra-wide field of view
Cons
  • Not the sharpest
  • Not the fastest autofocus

Tamron 11-20mm f2.8 lens: For the best landscape/architecture lens for your Sony APS-C camera, you just can't beat the newly released Tamron 11-20mm f2.8 lens.

For one, this is the only available ultra-wide APS-C lens that has a fast aperture of F2.8, which makes it one of the best lenses out there for low-light situations like indoor architectural photography or sunrise/sunset landscape photography.

With a focal range of 11-20mm, you have super wide focal lengths that are missing from the other lenses mentioned here. The super wide-angle field of view allows you to truly capture all the beautiful details of architecture or expansive landscapes, all in one frame.

Tamron lenses are also known for being sharp edge-to-edge, and this is also the case for this lens as well. It weighs only 330 g, comes in this well-built and weather-sealed body, and the autofocus works great, making it one of the best lenses you can get for travel.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000. The lens lacks image stabilization, but with such a wide-angle field of view, you should have no trouble getting sharp images even on a camera body that lacks image stabilization.

To sum it up, this is the best lens to get if you enjoy taking photos of landscapes and architecture.

Check Price

โš–๏ธ Best Lens for Gimbal Use

Tamron 11-20 mm f2.8 lens for Sony APS-C Camera

Pros
  • Light & Compact
  • Fast aperture
  • Ultra-wide field of view
Cons
  • Not the sharpest
  • Not the fastest autofocus

Tamron 11-20mm f2.8 lens: Again, I have to give it to the Tamron 11-20mm F2.8 lens when it comes to gimbal use. They really knocked it out of the park here with the compact size, lightweight body, and ultra-wide field of view that works well with any gimbal you throw this camera on. Highly recommended.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000.

To sum it up, this is the best lens to get if you use your camera with a gimbal a lot.

Check Price

๐Ÿคณ Best Lens for Vlogging

A person holding the Sony 10-18mm F4 lens

Pros
  • Light & Compact
  • Optical stabilization
  • Ultra-wide field of view
Cons
  • Not the sharpest
  • F4 aperture might be limited to some.

Sony 10-18 mm f4 lens: Now, if you are looking for a great lens to vlog with, I would still recommend that you get the Sony 10-18mm F4 lens instead of the Tamron 11-20mm F2.8 lens.

Yes, the Tamron lens is great and cheap, but it lacks optical stabilization, something the Sony 10-18mm F4 lens has, which is essential for vlogging. When filming yourself walking and talking at the same time, it is important to have optical stabilization to keep your footage smooth and not distracting. Therefore, you will need the optical stabilization from the Sony 10-18mm F4 lens.

Plus, the 10mm focal length is also great for vlogging, as it is wide enough for you to hold your camera out and capture both yourself and the environment in one frame. If you are looking for the best vlogging lens, the Sony 10-18mm F4 lens is the best one to get.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000.

To sum it up, this is the best lens to get if you are looking for a lens to vlog with.

Check Price

โญ๏ธ Best Lens for Astrophotography

Sony E 11mm F1.8  best astrophotography lens for Sony APS-C Camera

Pros
  • Small & Compact
  • Fast aperture
  • Ultra-wide field of view
  • Affordable
Cons
  • Lacks manual controls
  • Distortions

Sony E 11mm F1.8: For the best astrophotography lens, the new Sony E 11mm F1.8 is the best lens you can buy. It is extremely well-built, and compact, which makes it great for traveling.

With the 11mm focal length, you will be able to capture the expansiveness of the night sky, as well as allowing you to use the landscape as a foreground subject to give your night sky photo an epic scale.

The fast F1.8 aperture will also allow you to let in more light, which in turn lowers your ISO and ultimately produces sharper images. If you are looking for a great astrophotography lens that isn't too expensive, you can't go wrong with the Sony E 11mm F1.8 lens.

This lens is recommended for Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000. Since you will likely be using this on a tripod for astrophotography, cameras with image stabilization should work just fine.

To sum it up, this is the best lens to get if you love astrophotography and want to take expansive photos of stars.

Check Price

๐Ÿ˜ƒ Best Lens for Portrait

Sigma 56mm F1.4 best portrait lens for Sony APS-C Camera

Pros
  • Small & Compact
  • Beautiful Bokeh
  • Great image quality
Cons
  • No stabilization
  • Lack manual controls

Sigma 56mm f1.4: I used to recommend the Sony 50mm f1.8, but that lens is as old as time. With more competition from third-party manufacturers like Sigma, the company has really given Sony a run for its money.

The Sigma 56mm f1.4 has a tighter focal length, and a much faster aperture than the Sony equivalent, and it supports autofocus with its electronic connection. The result even surpasses what is on paper.

It is great in low light, produces great colors, is extremely sharp from corner to corner, and with its compact size and reasonable price range, the Sigma 56mm f1.4 is the best lens you can get for your Sony APS-C camera.

Plus, this lens produces one of the prettiest bokeh effects I have ever seen on an APS-C camera, and if you are looking for that kind of blurry background effect, this lens won't disappoint.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000.

To sum it up, this is the best lens to get if you enjoy taking portraits of people.

Check Price

The Sigma 56mm F1.4 is the Best Street/Portrait Travel Lens For Sony APS-C CamerasThe Sigma 56mm F1.4 is the Best Street/Portrait Travel Lens For Sony APS-C Cameras

๐Ÿšถโ€โ™‚๏ธ Best Lens for Street Photography

Sony 35mm f1.8 best street photography lens for Sony APS-C Camera

Pros
  • Light & Compact
  • Nice Bokeh
  • Affordable
Cons
  • No stabilization
  • No weather protection
  • Could be sharper

Sony 35mm f1.8: If you want to shoot street photography while you are traveling, the Sony 35mm f1.8 will give you the most natural look since the 35mm focal length is what the human eyes see. With an f1.8 aperture, you will be able to get great subject separation and a stunning bokeh effect too.

Also, since the lens is so small and lightweight, this is the kind of lens you don't mind carrying as your second lens while traveling.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000.

To sum it up, this is the best lens to get if you love street photography and environmental portraiture.

Check Price

๐Ÿฏ Best Lens for Wildlife (Telephoto)

The Sony 70-350mm F4.5-6.3 lens exterior vertically from the side.

Pros
  • Amazing range
  • Relatively compact
  • Optical stabilization
Cons
  • Variable slow aperture
  • Not compatible with teleconverters

Sony 70-350mm F4.5-6.3 Super telephoto lens: If you enjoy observing wildlife, such as bird-watching and safaris while traveling, I highly recommend getting the new Sony 70-350mm super-telephoto lens. It covers telephoto focal lengths that aren't covered by any of the lenses mentioned above.

With its extremely compact size (relative to the other telephoto lenses in this range) and its incredible reach of 350mm or a whopping 525mm equivalent on a full-frame format, this lens will allow you to reach your subject without requiring you to be close, which is perfect for wildlife or a safari trip where you are unable to move closer to your subject.

Not to mention, it also comes with optical image stabilization, which is extremely useful for keeping your shot stabilized while in the 350mm range.

This lens is recommended for the Sony ZV-E10, a6700, a6600, a6500, a6400, a6300, a6100, and a6000.

To sum it up, this is the best lens to get if you love wildlife photography and looking for a lightweight solution.

Check Price

A Traveler's Review: The Sony E 70-350mm F4.5-6.3 LensA Traveler's Review: The Sony E 70-350mm F4.5-6.3 Lens

๐Ÿ›’ Which Camera Lens Should You Pick?

A person taking photos of the Sony a6500 camera with the same camera.

Now that you have all of the information, which one should you pick? Well, that will depend on the type of travelers you are.

If you are a photographer, videographer, or both, pick any of the all-around lenses as your main lens. If you are more into nature than cities, go with a wide-angle lens. If not, go with a street photography lens as your second lens. Do you like camping and hiking? If you do, go with an astrophotography lens as your third lens.

The combination I am using now is the Sony 16-55mm F2.8 lens as my main lens since I am into both photography and videography and I want to travel as light as possible. Additionally, I use the Sony 35mm f1.8 lens as my second lens for street photography, the Sigma 56mm f1.4 lens as my portrait lens due to its incredible bokeh, and the Rokinon 12mm f2 lens for astrophotography, landscape, and architecture. I find this combination to be the most flexible for the type of traveler I am while keeping the setup light and portable.

Further Reading for Photography

Looking for more photography articles like this? Here are a collection of articles you might like:

Disclosure: This post may contain affiliate links.

Categories ResourcesPhotography

16 Comments


Jearlene Thompson's profile picutre
Jearlene Thompson

Thanks for the comprehensive guide! I was wondering which lens would be best to bring because we usually go stargazing so the astrophotography lens should be neat.


Pete Rojwongsuriya's profile picutre
Thanks for the comprehensive guide! I was wondering which lens would be best to bring because we usually go stargazing so the astrophotography lens should be neat.

Hey Jearlene,

Thank you for the comment! I would recommend getting a wide angle lenses with fast aperture so you can capture the stars and landscape in one frame while letting the faster aperture do all the work instead of relying on ISO. The Rokinon 12mm f2 (For APS-C Cropped Camera) is a great example of if you can find anything that is that wide with aperture less than that, that would be perfect.

I hope this helps!


Mike's profile picutre
Mike

Think this list misses a few heavy hitters. Struggling to tell when you wrote this, but as it says 'updated 3 months ago' I'm going to take it as relevant as at Dec 2019. Two key lenses missing;

Sigma 56mm f1.4 is a far better portrait lens than the Sony 50mm f1.8. Way better.

Sony 16-55 f2.8 is the workhorse professional lens on the range and should replace any need for the Zeiss 16-70. In fact, the 16-105 replaced any need for the Zeiss already.

Also your comments on stabilisation seem misinformed. We all shot would stabilisation for a long time before it came along. It's a nice feature in low light with long shutter speeds, but the idea of not being able to use non-stabilised glass handheld on a camera without IBIS is just a bit silly. Practically everyone does exactly that...


Pete Rojwongsuriya's profile picutre
Think this list misses a few heavy hitters. Struggling to tell when you wrote this, but as it says 'updated 3 months ago' I'm going to take it as relevant as at Dec 2019. Two key lenses missing;

Sigma 56mm f1.4 is a far better portrait lens than the Sony 50mm f1.8. Way better.

Sony 16-55 f2.8 is the workhorse professional lens on the range and should replace any need for the Zeiss 16-70. In fact, the 16-105 replaced any need for the Zeiss already.

Also your comments on stabilisation seem misinformed. We all shot would stabilisation for a long time before it came along. It's a nice feature in low light with long shutter speeds, but the idea of not being able to use non-stabilised glass handheld on a camera without IBIS is just a bit silly. Practically everyone does exactly that...

Hey Mike,

Thanks for the heads up! Someone told me the same about the outdated list a while ago. I finally have the time to do my own research and update the article today and you are right on both fronts, these new lenses you recommended are way better than the ones I previously recommended.

Thanks again for the reminder!


Mike's profile picutre
Mike replying to Pete Rojwongsuriya
Hey Mike,

Thanks for the heads up! Someone told me the same about the outdated list a while ago. I finally have the time to do my own research and update the article today and you are right on both fronts, these new lenses you recommended are way better than the ones I previously recommended.

Thanks again for the reminder!

Great - just read the updated list and I think your revisions are spot on.


vrvly's profile picutre
vrvly

Sigma 16mm f1.4 is clearly the best for any situation, you don't have a zoom but you can shoot in any weather, in narrow places and almost macro. The only downside is you have to go closer instead of zooming what's not always possible.
You get low noise, no blur, great colors instead.


Vik's profile picutre
Vik

Hi why would you not use sony 16-55mm for portraits and wide angles as well when it covers the focal length of the sony 35mm and the sigma 56mm in your final recommendation?


Pete Rojwongsuriya's profile picutre
Pete Rojwongsuriya replying to Vik
Hi why would you not use sony 16-55mm for portraits and wide angles as well when it covers the focal length of the sony 35mm and the sigma 56mm in your final recommendation?

Hey Vik,

The 16-55mm is definitely a great all around lens and it can easily handle portrait but if you are looking for the best portrait lens with better subject separation, F2.8 on the 16-55mm isn't enough to create a creamy bokeh hence why I recommend lenses that have F1.8 or less.

With the Sigma 56mm F1.4, you will get the best subject separation and creamy bokeh out of all the other lens. :)

You can read my reviews on both lenses with some sample portrait shots so you can see the difference:

16-55mm F2.8 Review 

56mm F1.4 Review

Enjoy


Jeff Sung's profile picutre
Jeff Sung

Thanks for putting this update together. There are a ton of similar guides out there that are years outdated and don't have Sigma, Tamron, Samyang, etc lenses included. Also, differentiating between with and without ibis is so important. I have an a6100 so the Sony G lenses without OSS don't really make sense.


Pete Rojwongsuriya's profile picutre
Thanks for putting this update together. There are a ton of similar guides out there that are years outdated and don't have Sigma, Tamron, Samyang, etc lenses included. Also, differentiating between with and without ibis is so important. I have an a6100 so the Sony G lenses without OSS don't really make sense.

Hey Jeff,

Thank you for the comments. Yup, I am still using my Sony a6500 as a back up camera and I love the fact they there are so many awesome third party lenses out there, keeping the APS-C ecosystem alive. :) I wait for the day when all Sony APS-C cameras finally have IBIS like its full-frame counterparts!


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