The Sony FX3 is a highly capable filmmaking camera with an incredible set of features. It has the ability to shoot 4K 120p 10-bit 4:2:2 video and remarkable low-light capability, all packed in a small and compact travel-sized body, which is perfect for a run-and-gun type of shooter.
It is truly a camera built for filmmaking, and to fully leverage all of these new features, you need lenses that can actually take advantage of the camera's incredible capabilities. Within this guide, you will find a complete list of the best lenses for filmmaking that will do just that.
From zoom to prime lenses, and with my experience being a Sony shooter for more than a decade, here are the 7 best Sony FX3 lenses that will leverage all the features the Sony FX3 camera has to offer while also taking your filmmaking and storytelling skills to the next level. Let's start off with a quick summary:
- 📸 Quick Summary: The best lenses for Sony FX3
- 👍 What Makes for a Good Travel Lens for Sony FX3?
- 🌎 Best All-Around Travel Lens
- 🏔️ Best Ultra-wide Lens
- ⚖️ Best Gimbal Lens
- 😃 Best Portrait Lens
- 🚶♂️ Best Street Lens
- ⭐️ Best Astro Lens
- 🐯 Best Wildlife Lens
- Further Reading for Photography
📸 Quick Summary: The best lenses for Sony FX3
👍 What Makes for a Good Travel Lens for Sony FX3?
For me, what makes a good all-purpose lens is the one that strikes the perfect balance between high-quality glass, weight, and features. The lens should help me take great photos in any situation in which I might find myself, without hindering my ability to move around the scene effectively.
I'll be including lenses for various travel situations and shooting styles that reflect the type of content creator you are, whether it be street-level shooting or a more environmental shooting style.
Of course, feel free to mix and match and see which travel lenses fit your needs the most. Let's begin with the most important lens every content creator should have in their arsenal, the best all-around general-purpose lens.
🌎 Best All-Around Travel Lens
- Extremely Light & Compact
- Packed with Features
- Very sharp at almost every focal length
- Expensive
- Distortion
Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony FX3 camera. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens, bringing new features and technologies to an all-purpose lens while keeping it lightweight and compact.
The focal range of this lens is also extremely versatile, allowing you to go wide at 24mm, which is great for architecture and landscape, while you have the option to zoom in at 70mm and shoot portraits.
The optical performance of the Sony FE 24-70mm f2.8 GM II lens is also outstanding, with its corner-to-corner sharpness, excellent build quality, and fast aperture at F2.8. The lens can produce stunning bokeh and subject separation while allowing you to capture sharp footage even in poor lighting conditions.
The best part about this lens is its form factor. Sony called this lens the world's lightest Full Frame F2.8 constant aperture standard zoom lens, weighing only 690g, which is unheard of for such a versatile lens.
For those of you who are looking for the best all-purpose lens to buy for your Sony FX3, this is the one to get. It is a little expensive, but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all.
To sum it up, this is the best lens to get if you are looking for one lens to rule them all.
🏔️ Best Ultra-wide Lens
- Light & Compact
- Extremely fast autofocus
- Very sharp at almost every focal length
- Stunning sunstar
- Expensive
- Vignette & Distortion
Sony FE 16-35mm f2.8 GM II Lens: If you are looking for an ultra-wide lens for your Sony FX3 to film landscape and architecture scenes, the Sony FE 16-35mm F2.8 GM II, the latest iteration of its beloved versatile wide-angle lens, is just hard to beat.
With the super-wide focal length of 16mm, you will be able to capture more of the landscape and architecture you are seeing, allowing you to get a perspective that you wouldn't be able to replicate with other lenses, not even with all-purpose lenses like the Sony 24-70mm F2.8 GM II lens.
As you could come to expect with the new Sony GM lenses, the image quality produced with this lens is extremely sharp from corner to corner at almost all focal ranges. The F2.8 aperture allows you to use the lens in any condition, which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. Really, a one lens to rule them all.
Not to mention the fact that Sony was able to reduce the weight by approximately 80% while improving the sharpness, autofocus speed, and minimum close focusing distance, it is a better lens than its previous version that I used to recommend in every way.
This lens allows you to cover the ranges that the general all-purpose lens, like the Sony 24-70mm F2.8 GM II lens, can't capture, which makes it a perfect secondary lens to go with your all-around lens.
To sum it up, this is the best lens to get if you enjoy taking photos of landscapes and architecture.
⚖️ Best Gimbal Lens
Sony PZ 16-35mm F4 G Lens: If you are looking for a wide-angle lens that is a bit cheaper than the Sony 16-35mm F2.8 GM II lens but comes with more video-centric features, is wide enough to shoot all kinds of scenes, and is lightweight enough to be used on a gimbal, the Sony PZ 16-35mm F4 G Lens is definitely worth your consideration.
The Sony PZ 16-35mm F4 G Lens is a new series of power zoom lenses that allows you to electronically control your zoom, enabling you to capture smooth footage while zooming in and out. This is a valuable feature for video shooters.
The lens also has an internal zoom barrel that doesn't extend or collapse while zooming, allowing you to utilize the zoom feature on a gimbal without having to rebalance it every time you zoom.
With the power zoom feature and its versatile focal range, you can perform some really cool video tricks with it as well, such as the cinematic dolly zoom technique that is often used in Hollywood films by famous directors like Alfred Hitchcock, etc.
If you are looking for a lightweight, video-centric lens to take with you on your next travel filmmaking gig, there is simply no better lens to get for your Sony FX3 than this one.
To sum it up, this is the best lens to get if you use your camera with a gimbal a lot.
😃 Best Portrait Lens
Sigma 85mm F1.4 DG DN Lens: This lens is likely the most lightweight and compact 85mm F1.4 lens available. It weighs approximately 630g (22.2oz), which is 200g less than the Sony GM lens. It is only slightly larger than the Sony FE 85mm F1.8 but offers a wider aperture, which is mind-boggling.
This lens produces beautiful bokeh, as you can expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost $700 cheaper!
Of course, there are some drawbacks to having such a small and lightweight body like pincushion distortion, but this can easily be fixed in Lightroom. For the size and weight you get, it is totally worth the sacrifice.
I do not know how Sigma does it, but they really knocked it out of the park with this lens, and if you are looking for the best lens for headshots of people or general portraiture shoots, there is no better lens than the Sigma 85mm F1.4 DG DN lens.
To sum it up, this is the best lens to get if you enjoy taking portraits of people.
🚶♂️ Best Street Lens
Sony FE 35mm f1.4 GM Lens: In street filmmaking, you will be running around shooting moving subjects that often move spontaneously, and you will need a lens that is at the most natural-looking focal length, unobtrusive, and extremely fast. That is why I recommend the Sony FE 35mm F1.4 lens.
The Sony FE 35mm F1.4 lens has a focal length of 35mm, which is closest to what our eyes see. Therefore, the photos you capture with this lens will have a more natural look and feel that will resonate more with human eyes.
With its compact size, lightweight, and unobtrusive profile, you can easily blend into the crowds and capture photos of spontaneous moments while traveling that you would not be able to capture with bulkier lenses.
The fast aperture also helps with the run-and-gun style of shooting that comes with street filmmaking, which is why the Sony 35mm F1.4 lens is the best street filmmaking lens to get for your Sony full-frame cameras.
To sum it up, this is the best lens to get if you love street photography and environmental portraiture.
⭐️ Best Astro Lens
- Ultra-wide focal length
- Extremely fast aperture for such a wide focal length
- Extremely Sharp
- Quite heavy
- Expensive
Sony FE 14mm f1.8 GM Lens: If you are looking for a lens to shoot astrophotography timelapses, you are going to need an ultra-wide-angle lens that is wide enough to capture both the landscape and the stars in one frame, to create a sense of scale for your audience, while also being fast enough to retain the sharpness of stars when shooting in pitch black.
The Sony 14mm F1.8 GM lens is designed to do just that. With its ultra-wide focal length of 14mm, you will be able to capture the stunning landscape in all its glory while also retaining the expansiveness of the night sky, all in one frame.
The fast F1.8 aperture will also allow you to capture sharp time-lapse videos of the Milky Way without having to crank up your ISO too high. This enables you to maintain a reasonable shutter speed and prevent unwanted star trail effects.
This lens is probably the widest and fastest lens you can get for your Sony FX3. So, if you are into astrophotography or night sky timelapse videos and are looking for the sharpest lens to take advantage of the incredible low-light sensor, this is the best one to get.
To sum it up, this is the best lens to get if you love astrophotography and want to take expansive photos of stars.
🐯 Best Wildlife Lens
- Very versatile range
- Compact size for the range
- Works with teleconverters
- Quite heavy
- Variable aperture
- Expensive
Sony FE 100-400mm f4.5-5.6 OSS G Master Lens: If you are looking for the very best telephoto lens to get for wildlife shoots and money and weight are no object, then the crown has to go to the Sony 100-400mm f4.5-5.6 G Master Lens. This lens has an incredible focal length of 100-400mm, which will allow you to bring your subject much closer than any other lens.
The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense, but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there, allowing you to capture crisp and clear videos of wild animals such as birds or the Big Five during a safari trip.
If you have a little bit of space left in your backpack, $2,500 USD to spare, and are looking for the very best wildlife lens with great reach, this is the one to get.
To sum it up, this is the best lens to get if you enjoy wildlife photography and looking for a lightweight solution.
Want to take your photography game to the next level? Here are some resources to help you upgrade your work and photography gear:
Further Reading for Photography
Looking for more photography articles like this? Here is a collection of articles you might like:
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- Want to learn how I was able to take so many good pictures of myself while I travel solo? Check out: How To Take Great Pictures of Yourself.
- For more photography resources like this, visit my Photography page.
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