For those of you who are run-and-gun types of shooters like me, using prime lenses with your Sony cameras might not be the most ideal setup, especially when it comes to travel photography/cinematography, as moments often come and go in a split second.
We do not have the luxury of time to switch between lenses while we are shooting, so we often end up having to rely on zoom lenses that allow us to cover many focal lengths in one lens.
If you are looking to buy a zoom lens for your Sony cameras, you are in the right place. There are tons of options available from both Sony and third-party companies, and it can be quite overwhelming to choose the right one for you.
Not all zoom lenses are created equal, and with my personal experience shooting with Sony mirrorless camera for more than a decade, I have decided to compile a complete list of the best Sony zoom lenses you can buy for your cameras, for all situations. Without further ado, here are the 20 best Sony zoom lenses to buy:
- ๐ธ Quick Summary: The best Sony zoom lenses to buy
- ๐ What Makes for a Good Travel Zoom Lens for Sony Cameras?
- ๐ The Best All-Purpose Lens
- ๐ The Best Value All-Purpose Lens
- ๐ The Most Versatile All-Purpose Lens
- ๐ The Best Budget All-Purpose Lens
- ๐ชถ The Best Lightweight All-Purpose Lens
- ๐๏ธ The Best Landscape & Architecture Lens
- ๐๏ธ The Best Value Landscape & Architecture Lens
- ๐ฅ The Best Video/Vlogging Lens
- ๐ถโโ๏ธ Best Street Photography Lens
- ๐ถโโ๏ธ Best Budget Street Photography Lens
- ๐ The Best Telephoto Lens
- ๐ The Best Value Telephoto Lens
- ๐ The Best Budget Telephoto Lens
- ๐ฏ The Best Wildlife Lens
- ๐ฏ The Best Budget Wildlife Lens
- ๐ฆ The Best Bird Photography Lens
- ๐ฆ The Best Budget Bird Photography Lens
- ๐ธ The Best Event Lens
- ๐ธ The Best Budget Event Lens
- ๐ Best Macro Lens
- Further Reading for Photography
๐ธ Quick Summary: The best Sony zoom lenses to buy
๐ What Makes for a Good Travel Zoom Lens for Sony Cameras?
For me, what makes a good travel zoom lens is the lens that strikes the perfect balance between high-quality glass, weight, and features that will help me take great photos in any situation I might find myself in without hindering my ability to travel around effectively.
I'll be including lenses for different travel situations and shooting styles that reflect the type of traveler you are, such as street photography, wildlife, and general purpose. Additionally, I'll provide budget alternatives that will help your Sony camera reach its full potential.
Of course, feel free to mix and match and see which travel lenses fit your needs the most. Let's begin with the most important travel lens of all, the best all-around general-purpose lens that every travel photographer should have in their kit.
๐ The Best All-Purpose Lens
- Extremely Light & Compact
- Packed with Features
- Very sharp at almost every focal length
- Expensive
- Distortion
Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best zoom lens you can get if you are looking for one lens to do it all. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens, bringing new features and technologies to an all-purpose lens while keeping it light and small.
The focal range of this lens is also extremely versatile, allowing you to go wide at 24mm, which is great for architecture and landscape, while you have the option to zoom in at 70mm and shoot portraits.
The Sony FE 24-70mm f2.8 GM II lens's optical performance is also outstanding, with its corner-to-corner sharpness and excellent build quality. With its fast aperture at F2.8, the lens can produce stunning bokeh and subject separation, allowing you to capture sharp images even in poor lighting conditions.
The best part about this lens is its form factor. Sony called this lens the world's lightest Full Frame F2.8 constant aperture standard zoom lens, weighing only 690g, which is unheard of for such a versatile lens.
For those of you who are looking for the best Sony all-purpose zoom lens that comes with excellent performance while remaining relatively lightweight and compact, this is the zoom lens to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all.
To sum it up, this is the best lens to get if you are looking for one lens to rule them all.
๐ The Best Value All-Purpose Lens
- Versatile range
- Affordable
- Fast aperture
- Lighter than its precessor
- A little soft wide open
- Some reported dust issue
Sigma 24-70mm F2.8 DG DN Art II: If you are looking for an all-purpose zoom lens with a range of 24-70mm for your Sony cameras but the Sony GM lens is a little out of your budget range, the next best option is the Sigma 24-70mm F2.8 DG DN Art II lens, the second version of Sigma's popular Mark 1.
This lens covers the most versatile range of 24-70mm, and it comes with a fast aperture of F2.8, an excellent optical performance that definitely gives the Sony 24-70mm F2.8 GM lens a run for its money, and it has a small and lightweight form-factor, weighing only 735 kg, something the previous version lacks.
That said, it is also slightly more expensive than the previous version, retailing at 1,200 USD, but you will get your money's worth if you prefer carrying a more compact and lightweight lens. Although the lens is slightly soft wide open compared to the more expensive Sony 24-70 F2.8 GM II, you will be saving over 1,000 USD which you can use to get another lens, and so if you are looking for the best value all-purpose lens, Sigma 24-70mm F2.8 DG DN lens is the way to go.
To sum it up, this is the best value lens to get if you are looking for one lens to rule them all.
๐ The Most Versatile All-Purpose Lens
- Extremely versatile range
- Well-built
- Compact and lightweight
- F4 might not be enough for some
- Not as cheap as other alternatives
Sony 20-70mm F4 G Lens: For the most versatile all-purpose lens to get for your Sony cameras, if you do not mind the slower aperture of F4, you just can't beat the Sony 20-70mm F4 G lens.
This lens has a versatile range that can go as wide as 20mm or go to an almost telephoto territory of 70mm, without you having to change lenses. At 20mm, you can shoot all sorts of wide scenes like spanning landscapes or architecture, while you can punch in and get a closer look at your subject with just a twist of your wrist. The fact that this lens is also branded as a G lens, you can be sure that the image quality you get out of this is going to be awesome.
I used to recommend the Sony 24-105mm F4 lens, but I found the wider 20mm focal length to be a bit more useful than having 105mm on the long end. The 20mm focal length will give you a dramatically different look when compared with 24mm, but between 70mm and 105mm, you won't get the same effect due to it being on the longer end.
If you often find yourself shooting in daylight most of the time and you do not want to spend more than you need to, the Sony 20-70mm F4 lens is definitely a great bargain. Click the link below to see the most recent price.
To sum it up, this is the most versatile zoom lens to get if you are looking for one lens to rule them all.
๐ The Best Budget All-Purpose Lens
Tamron 28-75mm f2.8 G2 Lens: For the most affordable all-purpose zoom lens, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony G Master lenses.
Tamron has recently upgraded and released a new version of its popular Tamron 28-75mm F2.8 with new glass and technologies, improving upon the optical and autofocus performance while keeping the price the same as the previous version, making it one of the best budget all-around travel lenses out there.
Even though the focal range is not as wide as that of the Sony 24-70mm F2.8 lens, you are ultimately paying less than half the price of the Sony lens. If you do not shoot at 24mm as often, there is no better option out there than the Tamron lens.
To sum it up, this is the best budget zoom lens to get if you are looking for one lens to rule them all.
๐ชถ The Best Lightweight All-Purpose Lens
- Extremely lightweight
- Very affordable
- Fast aperture
- Not the sharpest
- 28mm might not be wide enough for some
Sigma 28-70mm F2.8 DG DN Lens: Now, if you are not a fan of heavy lenses (and trust me, I know how you feel as I travel with big lenses all the time), one of the lightest all-purpose zoom lenses with a fast aperture you can get is the Sigma 28-70mm F2.8 DG DN lens.
This is the smallest and lightest 28-70mm F2.8 lens you can get for Sony cameras, with the lens weight coming in at only 471 grams (1.04 lbs), which is very impressive.
The quality is almost as good as the Tarmon 28-75mm F2.8 G2 lens, but it comes in a much smaller and lighter form factor, making it great for those who are looking to travel light.
If you are weight-watching and looking for the lightest all-purpose zoom lens you can get for Sony cameras, the Sigma 28-70mm F2.8 DG DN lens is the one for you.
To sum it up, this is the most lightweight all-purpose lens to get if you are looking for one lens to rule them all.
๐๏ธ The Best Landscape & Architecture Lens
- Light & Compact
- Extremely fast autofocus
- Very sharp at almost every focal length
- Stunning sunstar
- Expensive
- Vignette & Distortion
Sony FE 16-35mm f2.8 GM II Lens: If you are looking for a lens for your Sony camera to film landscapes and architectures on your travel, the Sony FE 16-35mm F2.8 GM II, the latest iteration of its beloved versatile wide angle lens, is just hard to beat.
With the super-wide focal length of 16mm, you will be able to capture more of the landscape and architecture you are seeing allowing you to get a perspective that you wouldn't be able to replicate with other lenses, not even the all-purpose lenses like the Sony 24-70mm F2.8 GM II lens.
As you could come to expect with the new Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner at almost all the focal range. The F2.8 aperture allows you to use the lens in any condition which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. Really, a one lens to rule them all.
Not to mention the fact that Sony was able to reduce the weight by approximately 80% while improving the sharpness, the autofocus speed, and minimum close focusing distance. It is a better lens than its previous version that I used to recommend in every way.
This lens allows you to cover the ranges the general all-purpose lens like the Sony 24-70mm F2.8 GM II lens can't capture which makes it a perfect secondary lens to go with your all-around lens.
To sum it up, this is the best lens to get if you enjoy taking photos of landscapes and architecture.
๐๏ธ The Best Value Landscape & Architecture Lens
- Light & Compact
- Affordable
- Fast Aperture
- Not the fastest autofocus
- Distortion
- Doesn't zoom to 35mm
Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap, and it might not be reasonable to buy them, especially if you are just starting out. So, for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens.
Even though the Sigma 16-28mm F2.8 DG DN lens is cheaper than the Sony 16-35mm lens, the Sigma lens delivers excellent image quality that is quite comparable to Sony's GM lens in most situations, but in a much lighter and compact package, making it perfect for travel.
Unlike the Tamron 17-28mm F2.8 lens that I recommended earlier, the Sigma lens does go all the way to 16mm, which makes it great for many travel applications. The lens doesn't go as tight as the Sony GM with its 35mm focal range, but I am happy to sacrifice the tight focal range for a lens that is more compact and lightweight.
Best of all, the price of this lens is more than half of the Sony 16-35mm F2.8 GM lens, making it one of the best-value wide-angle lenses you can get. With such an extremely attractive price point, this Tamron lens even made a Sony avid fan like myself think twice about buying the 2000+ USD GM lens over the 900~ USD Sigma lens. If you are looking for an affordable landscape/architecture lens for your Sony camera, this lens is a great option to consider.
To sum it up, this is the best budget lens to get if you enjoy taking photos of landscapes and architecture.
๐ฅ The Best Video/Vlogging Lens
Sony PZ 16-35mm F4 G Lens: If you are mainly a video shooter and you are looking for a zoom lens that is versatile and wide enough to vlog with, the Sony PZ 16-35mm F4 G Lens is definitely worth your consideration.
The Sony PZ 16-35mm F4 G Lens is a new series of power zoom lenses that allow you to electronically control your zoom, allowing you to capture smooth footage while zooming in and out. This is a valuable feature for video shooters.
The lens also has an internal zoom barrel that does not extend or collapse while zooming, allowing you to utilize the zoom feature on a gimbal without having to rebalance it every time you zoom.
With the power zoom feature and its versatile focal range, you can perform some really cool video tricks with it as well, like the cinematic dolly zoom technique that is often used in Hollywood films by famous directors like Alfred Hitchcock, etc.
With such a lightweight form factor, this lens is also great for gimbal use as it is light enough for most gimbals, and the internal zoom allows you to zoom in and out without messing up the gimbal balance. There is simply no better video lens to get for your Sony camera than this one.
To sum it up, this is the best lens to get if you use your camera with a gimbal a lot.
๐ถโโ๏ธ Best Street Photography Lens
- Prime-like sharpness
- Very Fast aperture
- Great subject separation
- Heavy & Bulky
- Focal range not as versatile
- Not very discrete
Sigma 28-45mm F1.8 Lens: If you're looking for a high-performance zoom lens for street photography that delivers prime-level sharpness and a blazing-fast aperture with excellent subject separation for your Sony camera, I highly recommend checking out the Sigma 28-45mm F1.8. Itโs an unusual combination of focal range and aperture, which makes it perfect for street shooting, offering the sharpness of prime lenses with the flexibility of a zoom.
The standout feature of this lens is its ultra-fast f/1.8 aperture, which allows you to create beautifully isolated subjects while keeping them tack-sharp. Among all zoom lenses on this list, you wonโt find another with such a fast constant aperture that still lets you zoom in and out freely. Of course, with this kind of performance, itโs a bit bulkier and heavier than more compact options, but thatโs a small trade-off for the versatility it provides. If you're after the most capable and flexible zoom lens for photography with prime-like quality, this one is tough to beat.
To sum it up, this is the best lens to get if you love street photography and environmental portraiture.
๐ถโโ๏ธ Best Budget Street Photography Lens
- Versatile focal range
- Fast fixed aperture
- Affordable
- Not the fastest autofocus
- Some distortion
Tamron 20-40mm F2.8 Lens: For the best-value lens for street photography, I have to give it to the Tamron 20-40mm F2.8 lens. The lens has a unique focal range of 20-40mm, which covers the classic 35mm length while allowing you to be more flexible and react to the fast-changing situations of street photography.
With its compact size, lightweight, and discrete body, you should be able to blend in with the crowd and take awesome street photos without sacrificing flexibility. Best of all, the lens is very affordable at the retail price of 680 USD. Given the amount of flexibility you will get with this lens, you are definitely getting your money's worth here.
The lens also comes with an F2.8 aperture, which should be fast enough for the run-and-gun style of shooting that comes with street photography. With such a great price point, incredible flexibility, and the discreetness of its design, the Tamron 20-40mm lens is the best value street photography lens to get for your Sony full-frame camera.
To sum it up, this is the best budget lens to get if you love street photography and environmental portraiture.
๐ The Best Telephoto Lens
- Extremely sharp
- Very fast autofocus for a telephoto lens
- Optical Stabilization
- Relatively lightweight
- Support teleconverter
- Very expensive
Sony FE 70-200mm F2.8 GM OSS II Lens: To complete our trinity of fast zoom lenses for your Sony cameras, the best telephoto lens you can get to pair with your Sony 16-35mm F2.8 and Sony 24-70mm F2.8 is the Sony 70-200mm F2.8 GM II lens.
With this lens, together with the other lenses I listed above, you are essentially covering the telephoto range you are currently missing. This should allow you to shoot more close-up shots of things you might not be able to get up close and personal with, like faraway mountain peaks or people.
The lens comes with a fast aperture of F2.8, allowing you to shoot incredibly sharp images even in the poorest lighting conditions. Not to mention its new autofocus system, which allows you to keep up with fast subjects like birds, and its optical stabilization, which should help smooth out your photos and videos on the longest end.
If you are looking for the best telephoto lens to buy for your Sony cameras, the Sony 70-200mm F2.8 GM II is a complete package that is hard to beat. Hit the link below to check out the recent price.
To sum it up, this is the best telephoto lens money can buy. Perfect for most telephoto applications.
๐ The Best Value Telephoto Lens
- Affordable
- Compact and Lightweight
- Optical Stabilization
- Not the fastest autofocus
- No teleconverter support
Tamron 70-180mm F2.8 G2 Lens: For those of you who are looking for a budget-friendly telephoto lens, the Tamron 70-180mm F2.8 G2 lens is the best option if your budget is around 1,300 USD.
This lens is the newest version of the beloved Tamron 70-180mm lens, and it remains one of the lightest and most compact telephoto lenses you can get at the moment, with its fast aperture of F2.8, a weight of 866 g (1.91 lbs), a form factor that is no bigger than a small APS-C telephoto lens, and the addition of an optical stabilization system that will come in handy when shooting at 200m, you just can't beat the value-to-feature ratio of this lens.
It is a lens designed specifically for those looking for a fast telephoto lens that is travel-friendly, fast enough to capture action shots, and, best of all, light on the wallet. If you do not mind the lack of 20mm on the further end, the Tamron 70-180mm F2.8 G2 lens is a great alternative to the more expensive Sony GM lens, which is more than doubled the price of the Tamron 70-180mm F2.8 G2 lens. Hit the link below to check out the latest price:
To sum it up, this is the best budget telephoto for most telephoto applications.
๐ The Best Budget Telephoto Lens
- Amazing range
- Very lightweight and compact
- Affordable
- Optical stabilization
- Not compatible with teleconverters
- Slow aperture
Tamron 50-300mm F4.5-6.3 Lens: For those of you who are looking for a more compact and affordable option for a wildlife lens, the Tamron 50-300mm F4.5-6.3 lens, a new version that replaces the Tamron 70-300mm F4.5-6.3 lens, one of my favorite budget telephoto lens, is the lens you are looking for.
This lens improves upon everything the previous version offered. It comes with a wider minimum focal length of 50mm, providing more flexibility when shooting wildlife, and it finally features optical stabilization, something I wish the previous version had. With this new focal length, you can easily zoom in on wildlife or zoom out to capture a bit of the environment without having to switch lenses, which is extremely convenient, especially for wildlife photography.
The lens is slightly heavier than its predecessor, weighing in at 665g. It also costs a bit more at 700 USD, but you will get your money's worth with the extra 50mm on the wider end and the added optical stabilization, which is especially useful for wildlife photography.
I brought the previous version with me on my safari trips around East Africa, and I was able to capture some incredible wildlife shots despite it being a budget option. With this new version, it can only get better! If you are looking to get into wildlife photography and do not want to spend over 2,000 USD on a lens, the Tamron 50-300mm F4.5-6.3 lens is, hands down, the best choice.
To sum it up, this is the best budget zoom lens to get if you enjoy wildlife photography and are looking for a lightweight solution.
๐ฏ The Best Wildlife Lens
- Very versatile range
- Compact size for the range
- Works with teleconverters
- Quite heavy
- Variable aperture
- Expensive
Sony FE 100-400mm f4.5-5.6 OSS GM Lens: If you are looking for the very best telephoto lens to get for wildlife photography and money and weight are no object, then the crown has to go to the Sony 100-400mm f4.5-5.6 GM lens. This lens has an incredible focal length of 100-400mm, which will allow you to bring your subject much closer than any other lens.
The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense, but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there, allowing you to capture crisp and clear images of wild animals like birds or the Big Five during a safari trip.
If you have a little bit of space left in your backpack, $2,500 USD to spare, and are looking for the very best wildlife lens with great reach, this is the one to get.
To sum it up, this is the best zoom lens to get if you enjoy wildlife photography and looking for a lightweight solution.
๐ฏ The Best Budget Wildlife Lens
- Very versatile range
- Well-built
- Quite heavy
- Slow vaariable aperture
- Doesn't work with teleconverters
Sigma 100-400mm f5-6.3 DG DN Lens: For those who are looking for a telephoto lens with a focal range of 100-400mm for wildlife photography and want to save a bit of money, the Sigma 100-400mm F5-6.3 DG DN lens offers a great budget alternative to the Sony GM lens I recommended above.
The lens is designed as an entry-level telephoto lens, and it comes in this handheld-friendly form factor that weighs only 1,100 g (2.43 lbs), a benefit you usually don't get from a lens with this much reach.
The lens performs really well for its price. It comes equipped with optical stabilization, which is essential when shooting at this range, and a fast and quiet autofocus mechanism that will help you get those sharp wildlife shots you have always wanted to capture. However, the aperture is quite slow, so be sure to use this lens when the light condition is good enough.
Despite its downsides, at only $899 USD retail, this Sigma lens is a steal, especially for the surprisingly great performance, lightweight and compact form factor, and the super-telephoto reach you can get from it. If you are looking for an affordable super-telephoto lens, the Sigma 100-400mm F5-6.3 DG DN is the one to get.
To sum it up, this is the best budget telephoto lens to get if you enjoy wildlife photography and looking for a lightweight solution.
๐ฆ The Best Bird Photography Lens
- Extremely versatile range
- Well-built
- Support teleconverters
- Quite bulky
- Slow vaariable aperture
Sony FE 200-600mm F5.6-6.3 G OSS Lens: Sometimes, you just need as much reach as you can get. This is especially true when it comes to bird photography, and if you are looking for the longest telephoto lens you can get, the Sony 200-600mm F5.6-6.3 G OSS lens is the one to get.
With the incredible reach of 600mm, this is the longest lens you can get before the lens becomes too big to be used handheld. The lens ranges from 200-600mm, allowing you to be flexible with your subject without having to switch lenses.
The lens also works with the Sony 2x teleconverter, allowing the zoom to reach a whopping 1200mm and capture all the fine details of the world to your heart's content.
If you are looking for the longest possible telephoto lens for your Sony cameras, the Sony FE 200-600mm F5.6-6.3 G OSS lens is the way to go, as long as you don't mind the size and the slower aperture.
To sum it up, this is the best telephoto lens to get if you enjoy bird photography.
๐ฆ The Best Budget Bird Photography Lens
- Extremely versatile range
- Well-built
- Heavy and bulky
- Slow vaariable aperture
- Doesn't support teleconverters
Sigma 150-600mm F5-6.3 DG DN Lens: If you are looking for a cheaper alternative to the Sony 200-600mm super-telephoto lens with the same reach but way more affordable, the Sigma 150-600mm F5-6.3 DG DN lens is definitely worth a look.
This lens has a versatile range of 150-600mm, and it is relatively compact and lightweight, especially when you compare it with the Sony 200-600mm. Amazingly, Sigma was able to make this lens lighter and still give it more reach than all the other competing lenses.
The autofocus may not be as fast as Sony native lenses, but for such a lightweight and compact body and a bargain price of 1,300 USD, it is hard not to recommend the Sigma 150-600mm F5-6.3 lens for those who are looking for a budget wildlife lens.
To sum it up, this is the best telephoto lens to get if you enjoy bird photography.
๐ธ The Best Event Lens
Sony FE 28-70mm F2 GM Lens: This is, by far, one of the most advanced lenses Sony has ever engineered and made available to the general public. With a highly versatile focal range of 28mm to 70mm, it's an excellent choice for events like concerts and weddings. On top of that, it features an ultra-fast f/2 aperture, making it one of the fastest zoom lenses you can find in the market right now.
This lens is an absolute beast when it comes to performance, delivering near prime-level image quality and sharpness. Its 11-blade diaphragm produces incredibly smooth and pleasing bokeh, offering stunning subject isolation. It also comes packed with professional features such as a de-clickable aperture ring, a zoom torque adjustment switch, and dual customizable focus hold buttons, all designed to make a professionalโs life easier.
Youโre not sacrificing anything here, this lens offers exactly what you need for high-stakes event shoots like weddings or concerts. While itโs a bit bulkier and heavier, with a premium price tag to match, if you're looking for the best event lens Sony has to offer, this one is hard to beat!
To sum it up, this is the best lens with the fastest aperture to get for events and concerts, especially in low-light.
๐ธ The Best Budget Event Lens
- Extremely versatile range
- Very fast aperture
- Heavy and bulky
- Quite expensive
- Doesn't support teleconverters
Tamron 35-150mm F2-2.8 Lens: This lens is as close to magic as it gets when it comes to lens manufacturing; it almost defies the laws of physics.
Tamron accomplished the impossible with their new lens, providing us with an extremely versatile yet highly fast zoom lens that covers the 35-150mm focal lengths. They achieved this while maintaining an almost equal speed to prime lenses, thanks to its variable F2-2.8 aperture.
This incredible feat of engineering allows us to replace two lenses (all-purpose and telephoto) with one lens without having to sacrifice the ability to shoot in low light like other ultra-zoom lenses out there.
With such reach and a fast aperture range, this lens is one of the best event lenses to get if you are looking for a zoom lens to do wedding photography or other indoor events where you often find yourself shooting in poor lighting conditions, like at a concert.
It is a little heavy and bulky, so it isn't great for travel. However, for other applications where you don't have to hand-hold the lens all day, the Tamron 35-150mm F2-2.8 lens is definitely hard to beat.
To sum it up, this is the best budget-friendly telephoto lens for events and concerts, especially in low-light conditions.
๐ Best Macro Lens
Sony 70-200mm F4 Macro G OSS โ ก Lens: For the best macro zoom lens for Sony cameras, the reward goes to the new Sony 70-200mm F4 Macro lens, which is the first zoom telephoto macro lens Sony has ever released. With the already versatile zoom range of 70-200mm, the ability to shoot half macro at all focal length allows you to get up close and personal with small subjects you might encounter when you travel, like insects or flowers.
The lens is also compatible with the Sony FE 1.4x and 2x teleconverters, which the previous version, the Sony 70-200mm F4 G lens, doesn't have. That increases the versatility of this lens even more, allowing you to zoom in to 400mm with the 2x teleconverter. Also, when using the teleconverter, you will also be able to shoot life-size 1:1 macro at all focal lengths, which is unprecedented.
Another cool thing about this lens is that since it no longer has internal zoom, Sony was able to reduce its size by almost 20%, at only 150mm in length, allowing you to easily pack it in your camera bags without eating up space, which is perfect for travel. Not to mention, they were also able to shave off the weight a bit to 794g compared to its predecessor and yet still managed to add more features.
If you are looking for a single zoom lens to shoot landscapes, macros, and wildlife, all in one, you just can't beat the Sony 70-200mm F4 Macro G OSS โ ก lens, especially when you pair it with the Sony FE 1.4x and 2x teleconverters.
To sum it up, this is the best macro zoom lens to get for your Sony cameras. Very flexible focal range.
Want to take your photography game to the next level? Here are some resources to help you upgrade your work and photography gear:
Further Reading for Photography
Looking for more photography articles like this? Here are a collection of articles you might like:
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- Looking for new lenses to buy for your Sony a7C II camera? Check out: 13 Best Sony a7C II Lenses for Travel to Buy.
- For the best lenses to buy that can handle the high-resolution sensor of the Sony a7C R, check out: 7 Best Sony a7C R Lenses for Travel to Buy.
- One of my favorite Sony cameras, the Sony a7C, is a lightweight and compact camera that is made for travel. Check out some of my favorite lenses for the Sony a7C: 13 Best Sony a7C Lenses for Travel.
- If you have the Sony a7RV and are looking for a high-quality, sharp lens to pair with it, here are the 7 Best Sony a7RV Lenses for Travel to Buy.
- The Sony a7RIV is one of the best landscape photography cameras out there, and it comes with a massive 62.2 MP sensor that requires lenses capable of retaining sharpness on such a large canvas. To help guide you, here are the 7 Best Sony a7RIV Lenses for Travel.
- Despite its age, the Sony a7RIII, a 42.2 MP landscape camera, is still used by many. If you are one of those people and are looking to spice it up a little, why not get a new lens and breathe new life into your beloved camera? Here are the 7 Best Sony a7RIII Lenses for Travel.
- King of travel filmmaking, the Sony a7S III is a fan favorite for filmmakers on the road. If you own this beast, be sure to check out the 7 Best Sony a7S III Lenses for Travel.
- Wondering which Sony Mirrorless camera is right for you? The Best Sony Travel Cameras to Buy in 2025.
- Just bought a new Sony mirrorless camera? Check out: 15 Tips & Tricks For Your New Sony a7C, a7III, and More.
- For the best hybrid travel camera to buy, the Sony a7R V, with its 61-megapixel sensor and video capabilities, is hard to beat. Check out my review here: A Traveler's Review: The Sony a7R V Camera
- Looking for the very best travel full-frame camera to buy for your next trip? How about the Sony a7C, the smallest full-frame camera with an EVF in the world! Check out my review: A Traveler's Review: The Sony a7C Camera
- The king of travel lenses has arrived. The Sony 24-70mm F2.8 GM II lens is, hands down, the best travel all-purpose zoom lens I have ever owned. Here's why: A Traveler's Review: Sony 24-70mm F2.8 GM II Lens.
- Sony 70-200mm F2.8 GM II OSS lens is, hands down, the best telephoto lens to get for your Sony cameras, but it comes with an extremely high price tag. Here is a complete traveler's review of the lens: A Traveler's Review: Sony 70-200mm F2.8 GM II OSS Lens.
- Looking for a lightweight and affordable landscape/architecture travel lens that is also extremely capable? Here is A Traveler's Review of the Sigma 16-28mm F2.8 DG DN Lens.
- Looking for the best travel portrait lens to buy for your next trip? You can't beat the Sigma 85mm F1.4 DG DN lens. Here is A Traveler's Review of the Sigma 85mm F1.4 DG DN Art Lens.
- Looking for a compact and lightweight travel telephoto lens for wildlife and landscape? You are going to love this lens. Here is A Traveler's Review of the Tamron 70-300mm F4.5-6.3 lens.
- Ever wondered what a full-time travel blogger like myself carries in my camera bag? Check out: What's In My Camera Bag in 2025?
- Wondering which Sony Mirrorless camera is right for you? The Best Sony Travel Cameras to Buy in 2025.
- Just bought a new Sony mirrorless camera? Check out: 15 Tips & Tricks For Your New Sony a7C, a7III, and More.
- Bought a new camera and not sure what camera accessories to buy? Check out: 14 BEST Sony Camera Accessories You Should Buy.
- Want to start a YouTube channel and looking to buy new cameras for travel vlogging? Check out: 8 Best Cameras For Travel Vlogging to Buy.
- Want to learn how I was able to take so many good pictures of myself while I travel solo? Check out: How To Take Great Pictures of Yourself.
- For more photography resources like this, visit my Photography page.
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7 Comments
Hi, would you recommend buying the Tamron 28-75 G2 or the Sony 24-105?
Hi Darren,
If you are on a budget than yes, for sure but if you can afford the Sony 24-70 F2.8 GM2 or you just need to save a little more, that is the best lens anyone can get for this range. I always find 28mm limiting as it's not wide enough for shooting architectures and landscapes while I always find F2.8 hard to shoot with in low light condition like inside a European church or a concert.
If you find yourself shooting more landscape or architectures in daylight than go with the Sony 24-105 F4. The F4 shouldn't be a problem and the extra zoom range will come in handy. If you shoot more street or subjects that don't need you to go as wide, then the Tamron is a better choice.
I hope this helps!
Thanks for the advice, Pete!
Can I ask, what lens kit do you tend to travel the most with? For example uwa zoom plus general zoom, UWA zoom plus telephoto zoom etc...
Of course. At the moment, I am currently backpacking around Europe and I have the Sony 24-70mm F2.8 GM2 as my all-purpose lens, the Sony 16-35mm F2,8 GM lens for landscape and architecture, and the Tamron 70-300 lens for telephoto so I have the trinity. I find myself shooting more with the 16-35mm though as that give me a cool angle of view for many places in Europe like churches and cathedrals.
For more street or if I can't change lens for some reason (like in a concert or a show), I'll go with the 24-70mm as it allows me to be more flexible allowing me to switch between wide and portraits.
I feel I haven't use the telephoto end as much in the city but when hiking, the ability to zoom in help quite a lot at capturing some of the details of places I would have never got from other lens. All in all, you can start light with a 24-70mm first and see how much weight you can carry. For me, this is the limit. :)
I hope this helps!
It really helps! I'll have to read more about the Tamron 70-300.
So no primes?
I actually do carry 1 prime lens, the Sigma 85mm F1.4 DG DN lens but I rarely ever take it with me in my daypack when I am out and about as I only find the use for it when shooting people or when I do street photography. I will only carry it when I know I want to do street photography or i'm taking pictures of people and that is it. It's a great lens though but my back is getting older and I found I can carry less and less every year haha.
Completely understand! Your advice on when to carry the prime is really helping me with my soul searching on my kit.